A Quote by Jack O'Connell

My first experience on a feature film was with Shane Meadows on 'This Is England.' — © Jack O'Connell
My first experience on a feature film was with Shane Meadows on 'This Is England.'
It's very interesting to see how the music is used, as sometimes you have composed something with a very different intention, and then suddenly you see it connected to something different. For example, it was incredibly strong and beautiful the first time I saw 'This Is England' by Shane Meadows.
I was a film editor for eight years before I made my first feature, 'Dog Soldiers.' I am from Newcastle upon Tyne, in the northeast of England.
When I worked on 2001 - which was my first feature film - I was deeply and permanently affected by the notion that a movie could be like a first-person experience.
I would love to work with Shane Meadows - great director.
I just know that making 'Beast' was an amazing experience. It was my first feature, it was the director's first feature, and every day, you're just trying to do good work and learn.
Working on 'Westworld' has been an incredible experience in learning to make something with the scope of a feature on a TV timeline with a budget nowhere near what you would expect for a feature film equivalent.
I think that too often we, film directors, think that a big epic novel and feature film are the same. It's a lie. A feature film is much closer to a short story actually.
I had originally written 'Pariah' as a feature, and we shot the first act as a short film, and then we used the short as a marketing tool to fundraise for the feature.
And then it was between Shane and Claire on who retreated first. "Uou go," he said. "Why?" Shane and Pete exchangedblooks. "Seriously?" Pete asked. "Yeah, she's like that," Shane said, and turned to her. "Because you're my girlfriend, and I'm not going unti; I know you're safe. How's that?
By the way, today with digital cameras and editing on your laptop, and things like that, you can make a feature film, a narrative feature film easily for $10,000.
I don't know what my ambitions are until they turn up really but I'd love to work with Shane Meadows, I know that much!
Shane - who knows about Shane? Planet Shane is a lovely place a long way from here.
When I was going for my graduate degree, I decided I was going to make a feature film as my thesis. That's what I was famous for-that I had my thesis film be a feature film, which was 'You're a Big Boy Now.'
I loved the material when I first read it, and the experience of making the film was a great one. So when we came around to complete the trilogy, I just signed on board without even reading the scripts because the experience of the first film was so good.
After you've done the first feature, then you have heck of a difficult time getting your second film off the ground. They look at your first film and they say, "Oh well, we don't want you anymore."
If Shane Warne were to become England spin bowling coach I think it would be fantastic for myself and all those learning to bowl spin in England.
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