A Quote by Jack Paar

... Variety and the Hollywood Reporter, two publications read more faithfully in Hollywood than the Koran is in Mecca. — © Jack Paar
... Variety and the Hollywood Reporter, two publications read more faithfully in Hollywood than the Koran is in Mecca.
If women ran Hollywood, The Hollywood Reporter would have a "Men in Entertainment" issue every year, and those jerks would have to write something.
If women ran Hollywood, 'The Hollywood Reporter' would have a 'Men in Entertainment' issue every year, and those jerks would have to write something.
The pressure in Hollywood is bigger to look good than in Germany. In Germany, we are more forgiving. Having a personal coach in Germany is not nearly as common as in Hollywood. In Hollywood, I think everyone has a personal trainer.
Hollywood is much more than America. Hollywood belongs to all of the planet.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
I think Hollywood's gotten more reactionary and conservative over the years, because there's no longer art in Hollywood. Art suffers in Hollywood.
I'm meant to be an animation director. That world, and the culture of stop-motion, is where I want to live. It's more my problem than Hollywood's. I'm not attuned to Hollywood.
I'm not ready to pack my bags and leave the town and my business that I love and my kids that I love more than anything and pack them up and come to Hollywood. I love California. I love Hollywood. But I'm not ready to uproot what I believe in to come to Hollywood.
He convinced me - Fred Freeman - to go to Hollywood and we went to Hollywood to write sitcoms. Joey Bishop actually paid my way to Hollywood.
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life. But Hollywood has forgotten that, in the past, what made Hollywood great and what made it go ahead was the fact that Hollywood was fed with, for example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
When I first moved to Hollywood from Silicon Valley, I had some misgivings. But I found that there were some advantages to being in Hollywood. And, in fact, some advantages to owning your own media company. And I also found that Hollywood and Silicon Valley have a lot more in common than I would have dreamed.
Hollywood is still the mecca for good or bad, but it isn't the beginning or end for filmmaking.
I would love nothing more than me and my family getting green cards, going to L.A. for a year, sitting down with the big Hollywood studios and coming up with the most advanced and awesome Internet distribution platform for movies. It would make Hollywood more money than cinemas, DVDs, and everything else combined.
Sure, I watched a lot of Hollywood movies. Maybe I've seen more Hollywood movies than French movies.
Sure, I watched a lot of Hollywood movies. Maybe I've seen more Hollywood movies than French movies
Working in Hollywood, it's clear the more money you have, the more technology you can get. So you can build a whole Japanese set. Only in Hollywood!
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