A Quote by Jack Prelutsky
I'm working now on a collection of Shakespearean sonnets, about 100 of them, that I may publish if anyone's interested. My take on life is a little different from the bard's.
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Sometimes I just go into Shakespearean sonnets and end it with a nice little couplet.
You get early inoculation against the idea of success if you're a poet. When I published my first collection of sonnets, I sold about five copies; now kids study them for A level. Wanting to be successful in that other world of money or fame is not interesting. Poetry isn't like that, and it never has been.
I suffered initially because I think most of the people working in the industry only care about themselves. They are not interested in helping anyone as that may boomerang on them someday.
I've just finished my next collection, Possible Side Effects, and I'm now working on a collection of holiday stories as well as a memoir about my relationship with my father.
I prefer reading novels. Short stories are too much like daggers. And now that I'm done with my collection I'm more interested in different forms of writing and other kinds of narrative art. I'm working on a screenplay. But when I was working on Eileen, I definitely felt like I was taking a piss. Like, here I am, typing on my computer, writing the "novel." It wasn't that it was insincere, but there was a kind of farcical feeling I had when I was writing.
I built up these lumber piles of love, and with fourteen boards each I built little houses, so that your eyes, which I adore and sing to, might live in them. Now that I have declared the foundations of my love, I surrender this century to you: wooden sonnets that rise only because you gave them life.
Teaching was my transition from student life to working life. In those days, our system of education was a little different. The number of students in each class was huge. I think in political science general, which I taught, it was around 100.
In its jolly mission to expose the dark underbelly of the children’s book world, Wild Things! turns up stories I’ve been hearing noised about for ages, but with a lot more detail and authenticity. The stories may not be quite as sordid as my own imagination had conjured up—although a few of them are—because there’s no denying that this field is full of mostly nice people!—but it’s all fun and a great read for anyone interested in both children’s books and the collection of people who make them.
I earn my living by teaching film, mostly filmmaking but also teaching courses on current cinema. I'm interested in movies. I hope that's not all I'm interested in. In that sense, it's maybe a little misleading. I don't expect to make another movie about films, but I may continue to write about them.
So now I have a collection of poetry by Aaron Neville and I give it to people I want to share it with. I'd like to publish it someday.
Entirely incidentally, a little-known fact about Shakespeare is that his father moved to Stratford-upon-Avon from a nearby village shortly before his son's birth. Had he not done so, the Bard of Avon would instead be known as the rather less ringing Bard of Snitterfield.
All the characters in 'Rang Rasiya' are inspired from the Shakespearean drama 'Othello.' This is exactly what interested me to take up this role.
People all the time try to take my outside interests and make them a negative. My life has always been like that and it always will be like that. I don't think it necessarily means that while I'm concentrating on tennis I can't put 100% into it. If I didn't have 100 different interests, I probably wouldn't be as good a player.
There's something about the sci-fi genre that gets an audience interested in it, so maybe you can take some risks that you couldn't, if you were just doing a drama. It lets you maybe reach a little further and surprise people a little bit more because there's still that little safety base of working on that genre that everybody loves.
There's so much published by so many different publishers. Most of the time, I don't have to confront that, but walking into a conference center filled with books - and people buying them or not buying them, being interested or not interested in them - that's just overwhelming to me now.
It took a while for anyone to want to publish 'To Repel Ghosts.' I thought people would want to publish a three-hundred-and-fifty-page book about a dead painter, but they didn't.
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