A Quote by Jack Prelutsky

I'm usually working on eight or 10 things at once. — © Jack Prelutsky
I'm usually working on eight or 10 things at once.
Everyone who wants to make it in comedy goes to L.A., so a million comedians fight for time on three stages. If you get in there in New York, you're working eight times a night sometimes. Who's going to be funny, the guy who works once a week, or the guy working eight times a night?
One World Championship is not enough. Probably eight is not enough. I've set a target of 10 and I'd like between eight and 10.
Playing live was always definitely a lot more fun. You picture it: working alone in the studio eight or 10 hours a day with nobody else there, being frustrated and driven crazy by all of the things that you have to deal with, vs. thousands of people screaming and singing along with you playing.
The one I liked to watch and follow was Iniesta, because Iniesta is a mix between an eight and a 10. It is a way I can do better, between eight and 10. It is the guy who always likes to have the ball, take the risks, and I think Iniesta was one of the best in the world.
If you have nothing to hide, if you're actually working for eight hours, or 10 or 12 hours, however long people decide to work, it's OK to have windows around conference rooms, it's OK to have cubicles. Because you're actually working. If you're not working, doing social media and spending half the day for personal stuff, then an environment like this will actually bother you.
There's not a lot of things to look out for in amateur boxing. Once the headgear comes off, once the 10-ounce gloves come on and you're fighting men and you're doing all these different things, that's where the experience comes.
Working with George Miller was an education. It was eight college degrees in character development and directing all at once.
When you are given a character, there are times when you can relate to two out of 10 things of the character, and then there are times when you can relate to eight out of 10 things.
I have my privileges, but I do feel like at every turn there is such resistance. Things seem to take so much longer for me to do. I have to say things 10 times instead of once. I have to knock on 10 different doors instead of two. For everything. All the time. I feel like I'm not taken seriously.
From my experience, moving through life, things tend to go in eight- to 10-year cycles. Friends, relationships and whatnot.
My father said, '10 minus one is zero.' It means that even if you do good things 10 times, it is no use when you do some bad thing once. But it doesn't mean that I think I have positive image, so I always need to be careful about what I'm doing. I don't want to frame myself.
The first thing I do is take Polaroids of the sitter - 10 or 12 color Polaroids and eight or 10 black-and whites.
People only watch six to eight to 10 channels, so if you want to be one of those channels, then you have to create content so strong that people have to come not once, not twice but enough that, behaviorally, they start to feel like, 'That's my channel.'
I was smart or lucky or both. I saved my money. I was on TV for 10 years, and then I spent eight more years on the road. Working on the road is where you really can save money if you put your mind to it.
Once I get on something, once I have something that I'm working on, then I become very obsessive. In a good way. I mean,... is there a positive way to say obsessive? It's a good thing and if you're out there and you're working on something right now and you're crazed and you're up in the middle of the night, or you can't stop thinking about it, or you have to keep reading other things about the subject that you're working on or whatever. That's good and I think that's necessary creatively.
I love songs with, like, six or seven or eight different things going on at once, and that's just me.
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