A Quote by Jack Reynor
I don't want to shoot myself in the foot when it comes to getting work. But I'm just not as interested in most of the films that are made in the States. The characters aren't as compelling. The stories aren't as substantial.
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I love telling stories. I think of myself as a storyteller, and I don't feel bound by being just a singer or an actress. First, I'm a storyteller, and history is stories - the most compelling stories. There is a lot you can find out about yourself through knowing about history. I have always been attracted to things that are old. I have just always found such things interesting and compelling.
I like stories that begin with characters. I like to be engaged and moved by the characters in the story. I want to be moved. I want to leave the cinema and think about what I've seen. My sensibility is quite eclectic and it doesn't matter if they are small or large films, I just want to make good films.
Those who want to be serious photographers, you're really going to have to edit your work. You're going to have to understand what you're doing. You're going to have to not just shoot, shoot, shoot. To stop and look at your work is the most important thing you can do.
I want to try not to repeat myself. But then I seem to do it continuously in my films. It's not something I make any effort to do. I just want to make films that are personal, but interesting to an audience. I feel I get criticized for style over substance, and for details that get in the way of the characters. But every decision I make is how to bring those characters forward.
I've made a way to allow myself to do big films, small films, dramas, comedies, action films, horror films, or whatever interests me, as a movie-goer. I like watching myself in movies. I want to choose movies that allow me to enjoy myself, the way that I want to entertain myself.
I just want to keep doing my comedy work because that's what I do. I made a name for myself playing other characters.
The kind of films I want to make are struggling to get made. And if they are getting made, they're getting made on shoestring budgets with not enough time.
I like to just follow what I find compelling. In order for me to be compelling, I have to be compelled. I don't try to think about what people are interested in seeing, I have to be interested. For me, that works the best.
It's your job to come up with compelling characters who speak to an individual authenticity. If I'm not interested in the characters, I can't go on. I have to be fascinated by them.
I think the tricky balance, the most important thing more than the horror is to have a compelling story, compelling drama, a show about great characters that you care about and you want to come back every week to see what they're up to.
I'm a fan of classic romance films as well as screwball comedies. I think love stories are just compelling narratives.
I really just choose stories that are compelling, have interesting trends and characters, and hopefully say something larger about society.
I started getting interested in the craft and watching old movies, and they're the ones that reach out to me the most - films like 'Cool Hand Luke' and 'On the Waterfront.' So I start watching all of these, and I was getting educated, and I started being interested in this acting thing, if that's what they call it.
I want my films to get audiences. I am not interested in making them just for myself.
I'm interested in painting the most beautifully compelling pictures and images and metaphors and stories and explanations possible that will put Jesus in language for a world that desperately needs to hear it.
I feel my fuller-bodied characters are all in the independent films I do, and in the studio productions, I have to work harder to dimensionalize the characters. And that's certainly part of the job description of an actor - that's what you're supposed to do - but you have to work harder at it in the characters that I've encountered in studio films.
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