A Quote by Jack Rodwell

England Under 16, Under 17, Under 18, I played centre-half. But back then, David Moyes thought it was difficult to throw a 16-year-old in there. There was a big hype around me. He wanted me to fulfil my potential; he wanted to get me in as early as possible.
If you'd asked me when I was six, 16, and 26, I wanted nothing more than to be a big, recognized rock star. Especially when I was six and 16, because I thought that if I was a known guitar player in a known band, only cute girls would talk to me.
When I was at school when I was 16, I was in a quandary because I didn't know whether I wanted to join the army - I had this terrible desire to be a tank driver in the Royal Tank Regiment, genuinely - or whether I wanted to go to art college because half of me wanted to be in the army, and the other half of me wanted to be a surrealist.
I played drums since I was 6 years old. And then I got into producing music when I was about 16 or 17. Somebody showed me FL Studios, the program. My beats were bad at first, but then eventually they started to get good.
Now I have the voice of a 16-year-old. I'm looking for a doctor who could give me the body of a 16-year-old.
The 18-year-old me wouldn't understand the 43-year-old me because then I wanted to travel and see the world. But I love being home.
In high school I was in a band called Goodfight, but it was more me running around on stage. It was very punk inspired. Then I started to get into indie-rock and older music and decided I wanted to write my own stuff. I quit the band. Around 16 or 17, I started recording myself at home on keyboard and piano.
When you grow up in New Orleans, like, the only way to be an artist is to be a 55-year-old black musician. That's basically what we wanted to be. If you had asked me very truthfully what I wanted to be when I was 16, the answer would've been, 'I want to be a 55-year-old black musician.'
I was part of the David Lloyd Academy and when I was 16-17 years old I got to practise with Stefan Edberg and that really helped me.
When I was a kid, probably 16 or 17, I got spotted by a model scout that wanted to represent me, and they sent me one modeling job, for Wall's ice cream. I did one job for them, and then a catwalk shoot for Kangol caps, and decided modeling was not for me.
I was very much into science when I was young - I wanted to be a marine biologist, then I wanted to be a doctor, and then something else, I was always changing. Acting didn't come up until much later, probably about 16 or 17. I thought, "Oh, I quite like this."
For me at 16 and 17 years old, I wasn't even playing for the academy teams. I hardly played in the starting XI for the Under 19s.
My parents came to see me in a play at Eton when I was 16. And then, when I said I wanted to try for drama school, they knew there was enough passion there for them to be brave and back me.
There was a show in Germany called Beat Club, and they had a lot of bands playing live. And I had this master plan, at 11 years old, I wanted to play electric guitar, but I knew... We lived in a small apartment, there was no way that was going to happen. I told my parents I wanted a classical guitar and I wanted to start studying classical guitar. So then a few years later, I think around 16 or so, I started playing electric. But that was my, my plan as an 11 year old. I thought I was so crafty.
I got a phone call from David Moyes: he was interested in me going out to Real Sociedad, and I was quite keen on the idea if I didn't get the Premier League club that I wanted. Going abroad appealed to me.
When you are 16 or 17, you think you are right about everything. But when you are over 20, you realise the mistakes you made at 16 or 18. You learn with age.
When I was a teenager, I had a record company after me. They wanted me to be a pop act. They said they wanted me to be the next Sonia. I was 16 at the time. I said, 'No thank you.'
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