A Quote by Jack Rodwell

I was at Everton from the age seven. Being there 14 years meant any move was going to be big. — © Jack Rodwell
I was at Everton from the age seven. Being there 14 years meant any move was going to be big.
The age between seven and 14 is so important. The basic techniques are in that, and afterwards it's mentality. Tactically, between seven and 14 or six and 14, they have to have good coaches and understand the basic things of football: control the ball, know where the ball is, those kinds of things.
I achieved my dream of playing for Everton, from a young age I always dreamed of scoring for Everton.
Being like 14 and 15 years old, listening to trance music in my home, I just had this fantasy of going to these big clubs and going to these massives, and just hearing this gorgeous, delicate music.
I signed as an 11-year-old for Everton. I broke into the Under-18s at the age of 14, then the reserves at 15, then I was in the first-team squad at 16.
Ask any human being alive if they're the same person they were seven years ago and they're going to tell you they aren't.
I was born in Cuba. At the age of 14 years of age I was involved in a revolution. We were suffering from a very cruel, oppressive dictatorship, and the revolution started in the high schools and the universities. So when I was 14, I was involved in the revolution. I was in the revolution four years. During that time, a young, charismatic leader rose up in Cuba, talking about hope and change. His name was Fidel Castro.
Marriage is a difficult project. When seven years have passed and all your body's cells have been replaced, you're meant to experience that seven-year itch.
I knew from the age of seven that I was meant to be a writer.
I kind of struggled as a 10-year-old to make out what it meant that Martin Luther King and Bobby Kennedy were killed within two months of each other. I think I was 14 when Watergate happened and a president was impeached. So between my birth and age 14, I just saw a lot of turmoil.
When I spoke to Everton, the plan, the project, the history of the club was interesting. If I didn't see ambition in Everton I wouldn't come to Everton and that's maybe a good message to all of the players.
I like Everton. If I'm going to cheer for that kind of football team, I'm going to cheer for Everton. But the Seahawks are my passion.
Fact is that I played piano and performed, as a young kid, a Mozart piano concerto with the Chicago Symphony Orchestra . Don't forget I was only eleven-years-old and to be on the stage at that age had tremendous impact on me. Basically love for classical music and performing as a kid on the big stage probably led toward this decision, which meant that music is going to be my big love but also my profession.
I was very depressed at a young age and felt like I didn't have agency towards that. Being 'female' meant I couldn't be that - I couldn't be angry, loud, sullen. Being sad meant I was weak.
I can't blame the drivers for making the move, and I can't blame the owners for being upset. Keep in mind, this ain't like the real world where you work somewhere and you can stay 40 years. Being able to see where you are going just a few years ahead is a pretty cool deal, and it doesn't happen too often in any sport, much less stock car racing.
When I move from being a cameraman to being a director I looked at a lot of other cameramen who tried to make the move. And in each case they moved up their camera operator to be the DP, which really meant they didn't want to give up being the DP, and really wanted to do both. And my feeling was if I was going to succeed as a director, I had to just be a director and give up the safety net of being a cameraman.
I actually have seven brothers in real life, and we're all very close in age. We basically go no more than two years between any of us.
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