A Quote by Jack Sock
Some people like the off days to do a light practice or work on things and then get ready for the next match. I don't mind going out and playing a doubles match and working on returning serving and working on a few things.
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You know, I think playing doubles definitely helps your singles game in all aspects. Just being able to get that match practice, match preparation before playing singles matches. Then it also builds confidence just getting wins from doubles, yeah.
I just enjoy both working and not working. And fortunately, I work enough where I get that out of my system, and then we take a few days off, take a rest.
You're in there, you're having a match, and you're feeding off that crowd. That's the gasoline that fuels the match, and that's how you make your decisions. If you're not listening to that crowd when you're working, you're missing the biggest part of what working is all about.
I worked extremely hard to put myself in the best position to not have to worry about things when I was out there. Because if I was out of shape, or if I didn't feel well, or if it was going to be a long match or a hot match, or something like that, a lot more things creep into your head.
I was a musician who began playing with computers, to see if they could make some tasks simpler. I developed some "tricks" or strategies for working with audio files, and then discovered that the same tricks could be applied to video files, or really, any type of data. Previously I made many different kinds of music. I did some work as a composer of film scores. In that role, my task was to create audio to match and deepen the visual. In my work now, the role is often reversed: I have to create images to match and deepen the audio.
You have to have brilliant people to work opposite, and then it does become like a real tennis match and this is our sport. With somebody like Mark Lewis Jones, who is extraordinary anyway, you just know it's going to be a good match.
I think now I'll probably take a few days off and enjoy the competition and then sit down with a few people and work out what is next, work out what the next preparation will be and what competition will be next.
I always get yelled at when things don't match, but apparently that's kind of part of fashion, having things not match.
Bollywood directors are like cricketers where in one match you score a century, and in the next match, you are out for a duck! Moreover, very few directors are consistent in Bollywood.
I think that always myself is my worst opponent. I always playing against myself first and then to the other one. So I'm playing against two guys during the match...It's like mentally I don't know what is gonna happen in the next ten minutes. Maybe I get depressed in ten minutes. I don't know myself too much...Yeah, I was working with a psychology, and I still.
Oh my gosh, I was so nervous at Wrestlemania when I debuted. I never had a live match ever. I'd had practice matches, but a practice match in front of no one is very different from a real match.
I guess that the salary that they get when they are working with me is, like, it beats working at McDonalds, so it has got some things going for it.
I did always want to write. And then, when I left New York, where I was working very steadily in the theater - I had done three Broadway shows in a row and was a bit burnt out - I moved out to L.A. and I was not working very much. I came in cold and I'd work for a week, but then I'd have a month or two off. I thought, "I'm going to go crazy unless I actually do write." Like a lot of things in life, it was a situation that came about by circumstances.
My concentration with players is the next match, focus only to work for the next match and how we can win.
When I first started working on movies as a production assistant, we were shooting 65, 75, 85 days. I mean, granted some of those things were "Godzilla," "Deep Impact," and those kinds of things, but these days it's like 30-35 days or 40-45 days and you just feel like you're humping trying to get everything done. It's like "Move on, move on, move on!" That's not the way to get the best performances or the most interesting shots. You have to constantly balance schedule and quality of work. For me, that's the biggest thing.
'Heel Turn 2' is about a person who's in a match, and he's playing as though the match were real. But it is real! If you're standing in the middle of a ring, and you're playing the villain, and everyone is booing and throwing things at you, that's real.
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