A Quote by Jack Sock

I've always had a thing for playing in front of people, and the nerves never really creep in too much for some reason for me. — © Jack Sock
I've always had a thing for playing in front of people, and the nerves never really creep in too much for some reason for me.
People always say to me, 'It must be so much pressure and so difficult playing out there in front of 60,000 people.' I always say, 'No, not really.' Playing football and earning great money isn't difficult. Working three jobs and raising kids alone, which is what my Mum did. That's difficult.
Playing music in front of thousands of people never bothered me. It was only when I started putting on magic shows in front of a much smaller audience that I would begin sweating bullets, so I'm much more focused now.
If I'm playing music in front of people, I'll lose days to nerves like really wasted days of just like being terrified. And then when I get out there, generally speaking, I enjoy it very much. But it seems to be I have to accept the fact that that's just part of the deal for me. And I can't just run on and do it.
There is such a thing as tempting the gods. Talking too much, too soon and with too much self-satisfaction has always seemed to me a sure way to court disaster. The forces of retribution are always listening. They never sleep.
There's a price you pay for drinking too much, for eating too much sugar, smoking too much marijuana, using too much cocaine, or even drinking too much water. All those things can mess you up, especially, drinking too much L.A. water ... or Love Canal for that matter. But, if people had a better idea of what moderation is really all about, then some of these problems would ... If you use too much of something, your body's just gonna go the "Huh? ... Duh!"
There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.
I feel like you're being coy if you don't do something and celebrate the 20th or 25th anniversary in some way. Just as I've never, ever had any kind of embargo on playing songs from Endtroducing, no matter how much I wanted people to like my new stuff - I've never, ever stopped playing Endtroducing, for that reason as well. It's a give and take - it's a balance. If there's one theme, I guess, to this entire discussion, then it's that.
I firmly believe I never had too much of an opportunity after I left Cleveland. I was behind Jamaal Charles at Kansas City. I didn't get too much playing time. I felt when I got in I did well. And then I was in Tampa and never really got to touch the field because of Doug Martin. He's pretty good.
Some people had too much power and too much cruelty to live. Some people were too horrible, no matter if you loved them; no matter that you had to make yourself terrible too, in order to stop them. Some things just had to be done. I forgive myself, thought Fire. Today, I forgive myself.
Some people say I run too much, and by the time I arrive in front of goal, when I have to provide the finish, I am tired. But this is just my way of playing. I need to do this to score goals.
I never really planned on playing music. But it was a thing I'd always done, since I was young. So it just carried me away; I never really had to make a plan for it or make any decisions. It just sort of decided on me. And I don't know what the hell I would have done otherwise.
Sometimes, all the interviews, those are the toughest thing for me, but once you really start to do it a lot and start to get used to it, I can find some fun in those parts, too. Because playing golf is the easiest thing for me, and that's something I'm so used to; that's why it was always easy.
People ask me what it was like working with Jim Carrey. Well, I never really saw too much of him. I would talk to him on the set, but I was looking at a Grinch facade. It was his voice and all, but... Jim is amazing to watch in front of the camera. I learned a lot from him. He was also always very nice and generous to me.
You can freak when you are at the Olympic Games. There are millions of cameras. Everyone is watching every move. Some people will trip where they would never trip in a routine. It's the small thing that nerves really bring out in people.
The thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human. They're full of flaws as much as they are full of heroics. I think the reason that people love them and hate them so much is because, in some way, they always see a mirror of themselves in them, and you can always understand them on some level. Sometimes it's a terrifyingly dark mirror that's held up.
In wrestling there are so many people inside and outside the ring, and it's so live, and it's this whole adrenaline thing. Whereas you move it into this more intimate thing, everything gets all quiet, someone says action, and you have to say the lines and make the words your own. It couldn't be any more different and it's weird sometimes trying to explain that to people. When I tell people that acting is much more terrifying to me than going out in front of ten thousand people, they don't quite believe it because for some reason that intimacy is just terrifying to me.
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