A Quote by Jack Tatum
Since I didn't spend a great amount of time on writing the lyrics, some people would argue that they're too vague or simplistic, but I think it's kind of good. I wouldn't say they're all stream of consciousness, but they're not necessarily overwrought.
Related Quotes
To be a good director, you have to spend a lot of time on actual sets, but today, there's a lot of people who spend a lot of time in dark rooms writing a script, and they'll go in and tell the story to some suit at a studio who says, 'Okay, this is great, let's go.' But that doesn't necessarily mean you know what to do once you're on set.
I try not to agonize over my lyrics, though, because that can come across in them. Some lyrics come more easily than others and some you have to spend a lot of time on, but I think you have to watch that you don't take the life out of them by worrying too much.
Some people demand a five-line capsule summary. Something you'd read in a magazine. They want you to say, 'This is the story of the duality of man and the duplicity of governments.' I hear people try to do it -- give the five-line summary -- but if a film has any substance or subtlety, whatever you say is never complete, it's usually wrong, and it's necessarily simplistic: truth is too multifaceted to be contained in a five-line summary. If the work is good, what you say about it is usually irrelevant.
I don't think writing open-ended lyrics is necessarily an important part of writing good pop songs.
An mp3 is a compressed form of data. It's not the full spectrum. It's never going to sound as good as a record. I think one thing people forget is that every technological advance we fetishize had its place in time. CDs are usually an hour long because that's the amount a CD could hold - not because that's the optimal amount of time for any given musical expression. Side one and side two? That's a product of vinyl. But that's not necessarily dramatic form - you could argue that that was three acts.
I have been doing stuff for a long time now and you would be in people's consciousness. But when you get something like a gift to play Ted Hastings, and some fabulous writing to get behind and a great crew, it suddenly allows people to go - 'I always knew he was good.'
Usually when I'm writing, I kind of know what it is before I start writing and I write stream of consciousness style.
When I wrote 'Lean In,' some people argue that I did not spend enough time writing about the difficulties women face when they don't have a partner. They were right.
We've learned over the years that if we wanted we could write anything that just felt good or sounded good and it didn't necessarily have to have any particular meaning to us. As odd as it seemed to us, reviewers would take it upon themselves to interject their own meanings on our lyrics. Sometimes we sit and read other people's interpretations of our lyrics and think, 'Hey, that's pretty good.' If we liked it, we would keep our mouths shut and just accept the credit as if it was what we meant all along.
I spent a lot of time at the New York Public Library, the main branch. I was one of those people. If you ever spend a good amount of time there, you realize there are people who spend the entire day there. They're bookish homeless people.
I think me, Sean Bonnette and Laura Jane Grace, and a lot of the bands people feel that way about, we're just really honest in our lyrics. I think we got really lucky in that the right kind of people who would appreciate that heard us at the right time, because there are plenty of people that are honest in their lyrics.
You know how some people will say to writers, "Why don't you just write a romance novel that sells a bunch of copies and then you'll have the money to do the kind of writing you want to do"? I always say that I don't have the skills or knowledge to do that. It would be just as hard for me to do that kind of writing as it would be to learn how to do any number of productive careers that I can't manage to make myself do.
Some people think big audiences are crass and that, say, a comedy that appeals to a wide audience is pandering. Other people would argue that you could say that about Moliere.
I think we ripple on into others, just like a stone puts its ripples into a brook. That, for me, too, is a source of comfort. It kind of, in a sense, negates the sense of total oblivion. Some piece of ourselves, not necessarily our consciousness, but some piece of ourselves gets passed on and on and on.
Consciousness... does not appear to itself chopped up in bits. Such words as 'chain' or 'train' do not describe it fitly as it presents itself in the first instance. It is nothing jointed; it flows. A 'river' or a 'stream' are the metaphors by which it is most naturally described. In talking of it hereafter, let us call it the stream of thought, of consciousness, or of subjective life. Source of the expression 'stream of consciousness'.
The amount of response I get, in both a negative and a positive context, is completely related to the amount of books I sell, I think. It seems to have nothing to do with what I'm writing, but what degree of success I'm perceived to have. It's really weird, especially since I spent so much of my life covering people who are famous. It's interesting to actually have it happen to me on some level.
Related Authors
Carson Palmer Quotes
American
Footballer
Charles Woodson Quotes
American
Footballer
Cristiano Ronaldo Quotes
Portuguese
Footballer
David Beckham Quotes
English
Footballer
David Icke Quotes
English
Footballer
Gary Lineker Quotes
English
Footballer
Howie Long Quotes
American
Footballer
LeSean McCoy Quotes
American
Footballer
Pedro Quotes
Spanish
Footballer
Ray Lewis Quotes
American
Footballer
Stanley A. McChrystal Quotes
American
Footballer
Terrell Suggs Quotes
American
Footballer
Tobin Heath Quotes
American
Footballer
Tom Brady Quotes
American
Footballer
Wes Fesler Quotes
American
Footballer