A Quote by Jack Teagarden
All that I've played, all that I've sung, I couldn't have done any other way.
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I have never done any other job. I have sung in bands since I was 15. I left school completely unqualified. I have no other training.
I have sung, but I haven't sung in any way that I would ever call myself 'a singer.'
I want my music, whether it's sung by other people or sung by myself, to affect the way the Top 40 radio sounds. I want to heavily influence it with things that have come directly from my brain.
I decline to discuss, under compulsion, where I have sung, and who has sung my songs, and who else has sung with me, and the people I have known.
Just like any other brothers that have ever played with each other or played against each other, it's a pretty special moment when you do it.
Well, I had done nudity in one other thing, but nudity for an actress is a very particular thing. It has to do with the material, and making sure it's not gratuitous, that it's done in a way that's shot beautifully, and it's for a reason. And I'd never played a lesbian before.
I hadn't done any professional singing. I had sung in the shower and in my car and sometimes at a family bonfire if there was enough alcoholized wine.
When she awoke there was a melody in her head she could not identify or recall ever hearing before. 'Perhaps I made it up,' she thought. Then it came to her - the name of the song and all its lyrics just as she had heard it many times before. She sat on the edge of the bed thinking, 'There aren't any more new songs and I have sung all the ones there are. I have sung them all. I have sung all the songs there are.
If I played the game any other way, you wouldn't know my name. You wouldn't care enough to hate me because I wouldn't be in the NHL.
There are only so many instruments you can layer on top of each other that aren't perfectly electronically programmed. "Long Vermont Roads" just cannot be performed live, because it's just too cluttered if it's played by humans. Synthesizers stay out of each other's way in a way that hand-played instruments never can.
It's been agony but I couldn't have done it any other way.
I have played on cold, wet nights at the end of the earth in midweek, and it is character-building stuff, but I wouldn't have had it any other way.
I'm just a ballplayer with one ambition, and that is to give all I've got to help my ball club win. I've never played any other way.
To have played and laughed with enthusiasm, and sung with exultation - this to to have succeeded.
Jerry Lewis played on the very first season of Mad About You, and he played basically himself, but he was called some other name. He said he's never done it; he'd never done a half-hour of [sitcom] television. This was 1992 or '93. And I said, "Well how is that?" And he goes, "Nobody ever asked me." It's like the pretty girl at the dance; everybody's too afraid to ask.
He wanted us to play whatever we played in the most characteristic and appropriate style. Even it was the theme from 'The Godfather,' you needed to play that then the way that a Hollywood producer would expect it to be played. Whether it was that or the posthorn solo from Mahler's Symphony No. 3, he would expect that to be played in the way that Leonard Bernstein wanted to hear it. In retrospect, I think it was a sensational way to teach this particular group of students. By the time you graduated you could absolutely read anything with any trumpet.
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