A Quote by Jack Thorne

I struggle quite a lot in rehearsals, partly because I'm shy, partly because I still don't really understand the work that actors and directors do. I love the magic at the end, but the getting there - the wrong turns that are necessary to make something work - I find slightly beguiling and worrying.
But in the meantime I became accustomed to the writing life and it would be hard to change now - partly because of the salary cut if I went to my other love, teaching; and partly because I still have stories to tell, even though it isn't all that fun doing the work anymore.
Love isn't quite desire... Love is probably a little bit in The Sandman's domain. Love is partly a dream, it's partly to do with desire, and sometimes it's partly to do with death, as well. It's also very often something to do with delirium.
Women have entered the work force . . . partly to express their feelings of self-worth . . . partly because today many families would not survive without two incomes, partly because they are not at all sure their marriages will last. The day of the husband as permanent meal-ticket is over, a fact most women recognize, however they feel about "women's liberation.
I think a lot about the editing of the films when we're making them, partly because I studied that, and partly because if you think about being in love while you're supposed to be acting in love, there's nowhere to go. You have to focus on something else and then do what's being asked, and you might get some semblance of something interesting.
I think casting a show is an art form in and of itself. We're all so different - the cast is made up partly of real stand-ups, partly of actors, and then partly of just legendary actors.
We cannot tell some people what it is believe, partly because they are too stupid to understand, partly because we are too proudly vague to explain.
Although I am a young leader, I actually came to it strangely quite late. I have a different perspective, partly because of my family, partly because of what I did for ten years: negotiating trade deals, working out in Central Asia doing assistance projects.
A lot of writers choose to live in New York, partly because of the literary culture here, and partly because Brooklyn's a pretty nice place to live. And a lot of writers who might not geographically reside in New York still point their ambitions towards New York in some sense.
I think casting is really important. Finding the right sensibility for the right part is an art in itself. If you're off there, you make it harder on yourself as a director. And it's fun to work that out with the actors. I don't think there's any magic to directing actors. It's very instinctual. Working with actors is really one of my favorite creative moments of the whole process, and the most fun, because it's collaborative. I spend a lot of time rehearsing. I'm very rehearsal-oriented, probably because I have some background in theater. I like knowing what will work beforehand.
Because 'Gob' was a terrible magician, he was always, in great comedic moments, messing up his magic act. We used to have magicians come in to work on these tricks to actually get them wrong. But they still had to work. We had to bring magicians on to make magic not work.
Marry for Love, an Heroick Action, which makes a mighty noise in the World, partly because of its rarity, and partly in regard of its extravagancy.
War affected my family a lot, and I was quite curious about it. I first went off to war in the early 90's as a journalist, partly out of curiosity and partly because I needed a career. War reporting has been very glamorous and exciting, and everything else that young men like.
I always work directly from life, partly because I really enjoy having an interaction with the person in front of me but also because I love having a direct response to shape and color.
When movies work or a TV series, when they really work, it's because of the collaborative effort. Competition is the death knell for anything, in my opinion. Especially in Hollywood. When actors are competing against each other, or when directors are competing against actors, it's usually the beginning of the end.
Growing up I was always prone to obsession, partly because of the way I am, but partly because after feeling so lonely for such a long time, when I found someone or something that I liked, I felt helplessly drawn to it. I suppose that accounts for some of the creepiness in my music.
My father's mother was a secular Jew who died in Auschwitz. I only found out as an adult because my father never talked about it. He was a secularist and never defined himself in ethnic terms - partly, I think, because he was scared; partly out of the habit of not talking of such things; partly because he didn't like being defined by other people.
This site uses cookies to ensure you get the best experience. More info...
Got it!