A Quote by Jack Valenti

A public domain work is an orphan. No one is responsible for its life. But everyone exploits its use, until that time certain when it becomes soiled and haggard, barren of its previous virtues. How does the consumer benefit from the steady decline of a film's quality?
Creativity builds upon the public domain. The battle that we're fighting now is about whether the public domain will continue to be fed by creative works after their copyright expires. That has been our tradition but that tradition has been perverted in the last generation. We're trying to use the Constitution to reestablish what has always been taken for granted--that the public domain would grow each year with new creative work.
The quality and success of Disney was actually bad for us animators because everyone on the planet thought that animation was only for kids and only in a certain domain. The big film festivals never thought much about animated films.
I look up and go, 'I'm living in the world I visualized a long time ago.' From making movies, to the Film Society, to just being in a film world. It's a life that I wanted to inhabit. I think everyone has the opportunity to do that in this world - it's just, are you gonna work for it, and how much does it mean to you?
Limit use of shareware and public domain software to systems without fixed disks. If you do use them on fixed disks, allocate separate subdirectories... Public domain or shareware software should never be placed in the root directory.
'Freeing' a literary work into the public domain is less a public benefit than a transfer of wealth from the families of American writers to the executives and stockholders of various businesses who will continue to profit from, for example, 'The Garden Party,' while the descendants of Katherine Mansfield will not.
Although everyone does benefit from lower-priced goods and services, people also care greatly about the chance to be productively employed and the quality of their work. Declining employment opportunities feel real and immediate; the rise in real incomes brought by lower prices does not.
It wasn't until I began to work on my inner life and know myself that my life changed. Success really does begin within. The size and quality of your outer life is only limited by the size and quality of your inner life.
Any addict in recovery would say that life never becomes perfect. Your life is better, but that doesn't mean it's easier. Life, at least for a certain period of time, becomes harder and you have to work through that to get to the light at the end of the tunnel.
In the same way that a film director would use a film lens to blur out a certain item or use a spotlight, I use certain movements that draw the eye instinctually.
The problem of power is how to achieve its responsible use rather than its irresponsible and indulgent use; of how to get men of power to live for the public rather than off the public.
I can't judge how another person does their [music] work. Everyone has a choice and the music industry is much more open that it was when I was younger. Certain things are gone, others have developed, but everyone makes their choices. Pop music has always been about the mainstream and what appeals to the public. I don't feel it's my place to judge. I just look at things as a fan, I like or or I don't like it.
Education is huge for me. I went to public school until I turned thirteen, and was lucky enough to afford college once I became successful as an actress. I cannot believe that quality education costs as much as it does in this country. Ghetto Film School is a remarkable public high school in New York City where students get to learn to express themselves through filmmaking, and have hands-on access to equipment.
Everyone has the same amount of time, and hard work is simply hard work. As a result, what you do in the time you work determines what you achieve. And since what you do is determined by what you think, how big you think becomes the launching pad for how high you achieve.
I am responsible. Although I may not be able to prevent the worst from happening, I am responsible for my attitude toward the inevitable misfortunes that darken life. Bad things do happen; how I respond to them defines my character and the quality of my life.
I feel responsible that everyone has a really wonderful experience and to do the best work possible, and to always know my lines and to always be on time and to bring a level to the show in terms of quality that other people will follow.
When a man's life becomes poetry, becomes a song, becomes a work of art, a creativity, he has become a sannyasin. Whether he knows it or not, it does not matter. The word 'sannyas' does not matter; what matters is the content.
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