A Quote by Jack Welch

Its a marathon, its not a sprint. Ten years. Fifteen years. You've got to get up everyday, with a new idea, a new spin, and you've got to bring it to work, every day — © Jack Welch
Its a marathon, its not a sprint. Ten years. Fifteen years. You've got to get up everyday, with a new idea, a new spin, and you've got to bring it to work, every day
A lack of resources may slow you down, but don't let it make you throw away a big idea. Give God five years, ten years, fifteen years, twenty years, twenty-five years, thirty years, forty years, or more. Give God all the time He needs to bring the resources to you!
Every day, I bring out something new. You got to be prepared - you got to have a few outfits laying out for when you wake up, in case you want to change, to set the mood.
There is much that science doesn't understand, many mysteries still to be resolved. In a Universe tens of billions of light-years across and some ten or fifteen billion years old, this may be the case forever. We are constantly stumbling on new surprises
That's kind of the nature of the profession I'm in. It's frustrating. Things don't go your way, and I was no exception, in that I spent many years struggling to get work, and there are a lot of people more talented than myself who got jobs before me. And I finally, after years and years and years, got lucky.
I really do believe that chance favours a prepared mind. Wallace Stegner, who was one of my teachers when I was at Stanford, preached that writing a novel is not something that can be done in a sprint. That it's a marathon. You have to pace yourself. He himself wrote two pages every day and gave himself a day off at Christmas. His argument was at the end of a year, no matter what, you'd got 700 pages and that there's got to be something worth keeping.
Mom was 50 when my Dad died. She got on a bus every weekday for years, and rode 40 miles each morning to Madison. She earned a new degree and learned new skills to start her small business. It wasn't just a new livelihood. It was a new life.
It's very hard when you eat out every day for a living, and a new restaurant comes along and you haven't got that same vigour that you had 10 years ago.
Most of my work in New York has been on new musicals. And all through the preview process, they throw you new songs, new lyrics, new choreography, new scripts; you're constantly getting new material. You might get it in the morning and put it in the show at night. It happens every single day, so those muscles are pretty toned.
There's always new trends and techniques and it's hard to always be there. And to always come up with a new video, especially after ten years when you feel like you've done it all, but surprisingly every week, there I am.
You've got to have gumption. You've got to be willing to stand up on the stage for no money for ten years.
Ten years dropped from a man's life are no small loss; ten years of manhood, of household happiness and care; ten years of honest labor, of conscious enjoyment of sunshine and outdoor beauty; ten years of grateful life--one day looking forward to all this; the next, waking to find them passed, and a blank.
I constantly work with material that could be two years old, five years old, ten years old, as well as new things.
To become a chess grandmaster also seems to take about ten years. (Only the legendary Bobby Fisher got to that elite level in less than that amount of time: it took him nine years.) And what's ten years? Well, it's roughly how long it takes to put in ten thousand hours of hard practice. Ten thousand hours is the magic number of greatness.
The 12 years that I was improvising are why I got the number of commercials I got when I was in New York and why I got The Devil Wears Prada, and its why I even got in the door for Mad Men.
The 12 years that I was improvising are why I got the number of commercials I got when I was in New York and why I got 'The Devil Wears Prada,' and it's why I even got in the door for 'Mad Men.'
I got a lot of attention when I was really young, and people have it in their minds that I'm still 24 years old. So I made the decision that I had photographed everything I was interested in in New York. New York is a town you have to embrace, but you also need to leave. I may revisit it one day, but for me it's a place to live rather than one to make work in.
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