A Quote by Jack White
Do not trust people who call themselves musicians or record collectors who say that they don’t like Bob Dylan or the Beatles. They do not love music if those words come out of their mouths.
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Music was so important to the culture when I was growing up in the Sixties and Seventies. We just expected that Bob Dylan was going to make a great record, and it was normal. It was like, 'Okay, here's another great record by Bob Dylan; here's another great record by Led Zeppelin.'
We didn't have the phrase 'style icon' when I was young, but I have to say, I really copied Bob Dylan when I was younger: a little bit of Bob Dylan or a lot of Bob Dylan and the French symbolist poets - I liked how they dressed - and Catholic school boys.
My favorite Bob Dylan record is the very first one where he sings one Bob Dylan song and the rest of them are his interpretations of the Dust Bowl-era folk songs, or even going back as far as the mass influx of people coming into the U.S. during the gold rush. His interpretations of those songs are incredible.
I love that Euro-pop dance music, but with girl power. I also listen to Janis Joplin and Bob Dylan. I have a Beatles song tattooed on my foot. I'm all over the place.
Most of the artists were trying to make a living, trying to get laid, trying to figure out who they were. They weren't trying to change the world. That's what other people put on them. I knew all those people. I knew them all, intimately and well. Bob Dylan. I would say that Bob Dylan is as interested in money as any person I've known in my life. That's just the truth.
You listen to Bob Dylan and you can't help but think of the 60s, it's very relational and if artists are true artists and not just mere musicians they need to be truthful because the music doesn't come from them, it comes from the universe and it's to be shared. At best, we're skilled presenters, and I say that at best.
You listen to Bob Dylan and you can't help but think of the 60s, it's very relational and if artists are true artists and not just mere musicians they need to be truthful because the music doesn't come from them it comes from the universe and it's to be shared. At best, we're skilled presenters, and I say that at best.
A panoramic vision of Bob Dylan, his music, his shifting place in American culture, from multiple angles. In fact, reading Sean Wilentz's Bob Dylan in America is as thrilling and surprising as listening to a great Dylan song.
It was my love for the guitar that first got me into music and singing. Growing up, I was inspired by The Beatles and Bob Dylan. Damian Rice was a huge influence for me musically.
I'm also a big Bob Dylan fan. The songs on The Freewheelin' Bob Dylan - which is one of his best early albums - they grow out of some of his difficulties with Suze Rotolo, and "Hard Rain," people say it had to do with the Cuban missile crisis - probably not. He denied it. I believe him, but it certainly had to do with the time.
I'm a huge Springsteen fan, and yet if either he or Bob Dylan had to be erased from the world's hard drive, I would save Bob Dylan's work for sure - he's the greater talent, and by leaps and bounds and skyscrapers and rocket blasts. But Bob Dylan is an alien to his public.
In the 1960s, people like Bob Dylan, his music and words were a threat to the society and mainstream of the time. It shook people alive, and directly and indirectly things changed. But, as I see it, the change is never through the music alone. It's also the circumstances around the music that will cause/create the effect. And sometimes it's just strictly accidental that a piece of music becomes a form of protest.
I'd rather call it "instrumental creative music," especially the music that I've been doing. If a person would hear that music, they would undoubtedly call it "jazz." There is this whole generation of musicians that are playing and thinking critically for themselves and making music that's relevant to today. I hope that's the objective of a lot of musicians.
If they made a movie about Bob Dylan, I would love to play a young Bob Dylan; I mean, I've got the wild hair.
Well, I don't let anyone record with me that is not a fan of mine or believe in my music. Everybody that records for me, from Bob Dylan on down to George Jones, everybody loves me and my music, and I knew they would do their best that they could do, and they did. I didn't doubt them a bit. There's some country people that I wouldn't want, which didn't record with me.
Like trillions of others, if it wasn't for Bob Dylan, it would have been a different musical landscape. Pop music wouldn't have been my thing at all. I did also grow up listening to The Beatles, but I never thought of being a Beatle.
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