A Quote by Jack White
I would never be able to live in a huge city. I'd feel like one of 100,000 people doing the same thing.
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In Riyadh, there's going to be a huge project that will house at least 12,000 units with inhabitants of approximately 150,000 people. It's like a city within a city.
I want to work on projects that I feel passionate about and do things that are fun and challenging. I would love to do a live musical. I'm not interested in doing the same thing over and over or the fame and exposure that comes with it. When people keep doing that, they just end up doing the same dumb stuff again and again.
I think living in Baltimore and being a part of the community and trying to be part of as many communities as possible within the city, the best thing that anyone can do in Baltimore is just to be a part of it and contribute to it and to not see it as...A lot of people from outside the city see this city for its blight and I feel like people who live within the city do the opposite and see this city for what defines it as, in my mind, the most beautiful place to live.
I really appreciate and respect the audience. People pay their hard-earned money to go watch you, so I feel like it's my job to give 100,000% of myself to what I'm doing.
I still feel like we're the underdogs, but I feel like people respect us now. People might not like our band or love our music, but I think people respect the fact that we've been doing this for many years and are still doing it and still able to play three giant New York City shows and have people come out.
Most people have wanted me to go back to football. Which is cool, but I think at this point, some things are just more important than football. Football has afforded me an opportunity to take care of my family, to live out a dream, to meet people, to go different places I would never have been able to go. Football has been a huge part of my life. Giving that up isn't an easy thing. But I would rather us live in a country where there is freedom and justice for all than to be catching a touchdown. And like I told my wife, the America that I don't want to live in, is Charlottesville.
I love this idea of being able to touch people with something quite familiar, something quite emotional, and at the same time, have the feeling that this is a new way of doing it, a fresh way of showing things. I like radical people. At the same time, I'm fascinated by popularity, people who were able to have huge success and also keep their consistency.
The richer people, when they get another $100,000, or another million, or 10 million, don't tend to spend it as much as the poorer people would if they got another $100 or $1,000 or $5,000. All the empirical evidence suggests that the rich tend to consume a lower proportion of income than middle and lower-income people.
I would like to try to never do the same thing twice, and fail huge sometimes.
I like change, like anybody. You don't want to keep doing the same thing because then it gets harder to take chances, be creative, and feel inspired when you're doing the same thing.
I'm always doing things that scare me, because I feel like that's how you should live life. If I'm terrified - and I'm often terrified - then I should be doing that. Like trapeze class, or singing in front of 5,000 people.
To put off the inevitable, we try to fix the city in place, remember it as it was, doing to the city what we would never allow to be done to ourselves. . . . New York City does not hold our former selves against us. Perhaps we can extend the same courtesy.
Well, 45,000 people at Coachella and 100,000 at Stagecoach... I never do get nervous.
I don't see many explosions or ten-car crashes in the course of my life, so I don't put them into my movies. I would love to live in a society where 'My Dinner with Andre' made $100,000,000. Then I would be in the mainstream. I could do that stuff easier than I could do 'Meatballs.'
Each of us has about 100,000 [kinesins] running around, right now, inside each one of your 100 trillion cells. So no matter how lazy you feel, you're not really intrinsically doing nothing.
These days, you'd probably shoot it in the daylight and manipulate it in the post. That's [how] most people would do it. [I did the same thing with] with 'Diving Bell and the Butterfly'. No CGI. It's all live photography. And I like that, it's very challenging and exciting to be able to do that.
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