A Quote by Jack Whitehall
I've definitely become smuttier. When I first started out, I had these aspirations: 'I'm not going to do jokes about anything crude because I'm bigger and better than that.' But then, I don't know... It makes me laugh, so I started doing it.
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Since my act is a goofy reflection of what's going on in my life, I started doing pot jokes, and I noticed that audiences invariably love pot jokes. Even people who don't smoke pot think it's a funny subject. So when I started getting laughs, I started doing more material about it. When people come to see my shows, there are a lot of stoners in the audience, but there are also a lot of people who just like me. So I try to give a healthy mix, where people aren't going "There are too many jokes about pot!" or "There's not enough jokes about pot!"
In the beginning, I started doing portraits of children, and of course, children have large eyes. For some reason, they just started getting bigger and bigger. Then, when I started painting imaginary children rather than real ones, they became bigger still.
You know, I started out really hot out of the box. Then I've definitely had and up-and-down career. And when things started cooling off again, it frustrated me.
It's almost like he's started to sound even more exotic the more people started doing him. I don't know why, but there's just something about Al Gore that makes me laugh.
When I started out, Jiu-Jitsu was really an elite thing in Brazil, and there was some prejudice towards poorer kids, so I had to learn things on my own. Some of my neighbours started doing Jiu-Jitsu, so I started watching it, and then started rolling with them. It wasn’t organized training, but it was better than nothing.
I was born. When I was 23 I started telling jokes. Then I started going on television and doing films. That's still what I am doing. The end.
I've never been able to tell jokes. In the beginning of my career I did impressions and jokes like any other comedian, but I was never very successful because I did it poorly. So I started to talk to the audience and started talking about the atmosphere around me and started to become angry, not in a mean-spirited way, but in a fun way - and my attitude developed from there.
I started doing my own animated movies when I was in ninth grade; that's when I got the filmmaking bug. When I was about 16, I started writing jokes for doing stand up, and then I was 19 and started doing stand up.
I'm not really an ideologue. I think I'm a person of common sense. I think more than anything else and I was a Democrat, I came from a place - you know, I lived in Manhattan. I started in Queens with my parents and then when I started doing a little better and better deals, I was able to get into Manhattan, I moved into Manhattan and in Manhattan you, you know, Republicans are not exactly flourishing. And so I started off as a Democrat like Ronald Reagan was also a Democrat.
I started doing comedy just as myself, because I thought, "This is what's expected, you're meant to tell stories and do observations." And then I started to realize that I wanted to mix it up a bit, so I started to doing songs, and I had a little keyboard onstage and would bring in little props. Then I thought about the idea of talking about a character and becoming the character onstage. So, it sort of morphed into being stand-up that was more character based, and I found that's the stuff I got the better reaction from and was more exciting for me.
My father started out as a riveter, but he had the soul of an artist. He worshiped Shakespeare and had aspirations to be an actor. He claimed that from the first day he laid eyes on me, I was going to be this great dramatic actress.
I started writing when I was around 6. I say 'writing,' but it was really just making up stuff! I started writing and doing my own thing. I didn't really know what a demo was or anything like that, so I started getting interested in studio gear and started learning about one instrument at a time. My first instrument was an accordion.
When I first started out in music, I was so negative. I was knee-deep in the streets. Then my friends started going to jail. They said, 'Boy, you better start taking this seriously; you got a chance to do something with your life.' That's when I realised I had to focus. The music led to the acting.
My step-dad started playing hockey in Detroit so we moved and I had to start home school. I started watching movies since I had a bunch of free time and then I was like, 'You know what? I want to give this a shot, move back to L.A., and audition.' The first show I booked was a show called Threshold with Carla Gugino and it was obviously a terrifying experience and I felt out of my comfort zone, but it made me want to keep going because it was fun.
I definitely wasn't anything special when I first started but I think I adapted quite quickly into racing and it became a bit better slowly. All of cadets, the first four years of karting, I only won one proper race, one! Which was the British Open Championship at PFI and I started 21st and I won.
I love doing voiceover work. I started doing voiceover work when I had just dropped out of school, and the first few professional jobs I got were plays, but then I started making money doing voiceovers.
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