A Quote by Jacki Weaver

David Michôd changed my life, quite literally, along with the chaps at Sony Pictures Classics. That's what set me on my way. I thought we did good work and had a good film, but when it was so praised at Sundance that year that's what really started the ball rolling. We all paid our own way to Sundance.
I'm about to go to Sundance for my 3rd year, and Sundance has never felt like a real independent festival at all. On the other hand, it might to start feel that way.
Sundance is going to be a defining moment in my life. But the unfortunate thing about Sundance is, when you have a film there, you can't have the opportunity to see other films.
I'll just say it: I love Sundance; my very first film won Sundance.
Sundance claimed to be "rebellious" on all of their programs, but they are not. Most of the movies at Sundance were multi-million dollar pictures that were already guaranteed a theatrical release.
The first time I ever intersected with the quote unquote industry or Hollywood or being given a paid job as a director all came because of the reputation I got coming out of Sundance as a veteran Sundance filmmaker.
What's so great about Sundance is that they only accept such a small handful of films per year for dramatic competition, so you know when you're going to Sundance that you're going to see top-quality projects.
As soon as I saw myself beginning to be way too comfortable on a film set or TV set, and not stimulated by it the way that I had been that had brought me to want to be there professionally and creatively, was the moment that I started getting really, really sad. I decided, "Okay, I just want to actually be here, how can I make this be interesting for me?"
I certainly felt like my life had been enriched and had also changed forever when I took 'In A World...' to Sundance.
Sundance [festival] is all your Hollywood buds and buddies and rolling out and high-fiving and "Hell, yeah. Here comes the movie," and in Venice, it's very elegant, and respectful...It's decadence. It's such a fun way to formalize a movie that is for us a down-and-dirty, gritty movie. And to see it with the red carpet, and rolling up in a Maserati.
I have always thought that Heaven is a place for people who had had a good life, but that is not true. God is merciful and way too good to make it so. The Heaven is just a place for people who could not be really happy while living on Earth. I was once told that people who commit suicide are taken back on Earth to repeat life from the very beginning because if they did not like it once, it did not mean they would not like it the next time. But those who did not fit in on Earth at all, ended up here. Everyone comes to Heaven in their own way.
I just really feel so grateful to Sundance because I've always been an artist and I've never been able to make a living at being an artist until Sundance.
So I'm leaving Sony, a free agent, owning half of Sony. I own half of Sony's Publishing. I'm leaving them, and they're very angry at me, because I just did good business, you know.
For me, Sundance always felt big. It's not the only way to make your way, but for me, it was definitely that critical link between struggling artist, kind of working on my own, to actually working professionally and being connected and being seen.
There's a film there in competition [of Sundance Film Festival] called To The Bone. It's directed by Marti Noxon. I have a supporting role in it. It got really well received. It's a really great film.
At least I know that one film-maker in my career has had the initiative to come to me and thought of me as being capable of doing interesting and complicated work, and so I have a new-found belief that other film-makers will see me in a different way, the way that Patty did.
I had to live on $17,000 a year until I was 33, because I was a failed artist until I was 29, when I made my first short film that went to Sundance.
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