A Quote by Jackie Chan

When I'm in meetings until 5am and then have to get up two hours later for filming, sometimes I ask myself 'why?' — © Jackie Chan
When I'm in meetings until 5am and then have to get up two hours later for filming, sometimes I ask myself 'why?'
Sometimes you work all the way through to 5am, then get a few hours and you're back on set again.
Not everything is going to be handed to you just because you're talented with a big smile. Sometimes you just gotta get out and shoot jumpers for hours and hours and hours. That's something I didn't really get a grasp on until way later, waking up early and treating it like a job if you're serious about it. Get the freak up and, you know, work.
I can be drunk until 6 in the morning, and then I don't have to show up to work until 14 hours later.
Sometimes I can be on a cloud and then two hours later feel really small.
I breakfast when I get up, lunch when I get the chance. If I never get it, I forget it. Sometimes I dine at seven, sometimes at midnight, sometimes not at all; and I never get to bed until four or five in the morning. Everything depends on the news; the hours make no difference to me.
If I'm at home, I get up around 7:30. If I have time, I like to do some exercise. My current favourite is 'hot' yoga. If I'm filming, I will go to the office or set, and then take meetings.
This is a very superficial job. I sit in a chair for two hours and get hair and makeup done and talk about myself in interviews. That's a very vain thing to do. And I do get caught up in it sometimes.
I used to work in kitchens, doing 12 or more hours a day of physical labor, so today, eight to 12 hours of cooking, chatting or filming feels like a vacation. When I have a scheduled 'day off,' I spend several hours writing, then I clean until I crash from fatigue. I don't relax well.
I grew up playing the guitar. I started when I was nine, and by the time I was nine and a half or ten, I was doing seven or eight hours' practice every day. I did two hours' practice at six o'clock in the morning before I went to school, and another two hours as soon as I got home from school in the afternoon. Then I did four hours at night before I went to bed. I did that until I was fourteen or fifteen.
I'm not one of those who spring up yelling, "Yippee! Another day!" I'll grumble and sulk around a couple of hours, reading newspapers and trying to pick out an idea I might do something with on the show. But I don't really start functioning until noon or later; then about two I go to the studio and the pace begins to quicken.
I wake up at 5am, by 6am I'm on the way to training. I come back and relax, have lunch, take a little nap, then train again at 4pm for an evening run. Then relax, dinner and bed at 9pm until the next day.
I went from basically filming in my bedroom by myself, filming some funny videos, and then overnight, I switched into filming in some studios and some warehouses and family homes. I started filming with directors and producers and editors, and there were so many people in the room, so it was definitely weird.
Sometimes I ask myself whether [Indira Gandhi] had, even then, a certain contempt for the system she represented and, years later, would overthrow.
Four hours of makeup, and then an hour to take it off. It's tiring. I go in, I get picked up at two-thirty in the morning, I get there at three. I wait four hours, go through it, ready to work at seven, work all day long for twelve hours, and get it taken off for an hours, go home and go to sleep, and do the same thing again.
Sometimes filming can be grueling when you're shooting the same scene for a week, or you're sitting around for 7 hours a day. They sound like very first-world champagne problems. I don't mean to sound like life is so hard, but filming sometimes is tougher than other times.
As a child, I would watch my mom get ready for work and just sit there for hours watching her transform. However, it wasn't until much later on that I really started to dabble in makeup myself.
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