A Quote by Jackie Chan

I make American films for American audiences and Asian films for Asian audiences. — © Jackie Chan
I make American films for American audiences and Asian films for Asian audiences.
American audiences and European and Asian audiences are so different.
I really dislike the fact that Asian males are constantly emasculated, whether it's American TV or films. You see it all the time, and it's so weird that they don't see sexuality in Asian men.
Even if you look at 'American Idol,' or 'X-Factor,' or 'The Voice' or anything, it was always difficult to see an Asian or an Asian-American make it to a certain point.
Does people not asking me about Asian American literature mean they don't see it as its own literary tradition? I certainly believe in it as its own literary tradition, because your race plays a great factor in how you are seen by the world, and how you see the world; the fact that I'm an Asian American isn't incidental to who I am as a writer. Where it becomes difficult is defining what, if anything identifiable at all, makes an Asian American book an Asian American book, other than the fact of its creator being Asian. And I'd argue that there is nothing identifiable beyond that.
I now have two different audiences. There's the one that has been watching my action films for 20 years, and the American family audience. American jokes, less fighting.
In the olden days films used to become huge hits because of family audiences. But nowadays certain films cater to youth audience and once that is exploited then the film stops. and some films are for a mature audience. My aim is to satisfy all the sections of the audiences.
When I was growing up, Asians were so few and far between as to be almost invisible. And so the idea of an Asian American movement or an Asian American thrust in this country was unthinkable.
I wish reporters were more in tune to the difference between the Asian experience and the Asian-American experience. I think often they lump the two together and think that when I talk about Asian-American narratives that they can cite 'Crouching Tiger, Hidden Dragon' or 'Mulan' as proof of concept when it's a different experience.
I always feel like people misunderstand the difference between an Asian story and an Asian-American story. That's completely different, too. I have friends who grew up in Asia, and our experiences are so different. Even though we might look the same, I feel like being Asian and then being Asian-American is completely different.
Jeremy Lin is the only Asian American in the NBA today and one of the few in any professional U.S. sport. His arrival is surely leading other talented Asian American athletes this week to contemplate a pro career.
Foreign revenues are tremendously important, but foreign audiences are dying for American movies, not for films they could make themselves.
I always felt that just being an actor is difficult. Being an Asian-American actor doesn't make it more difficult. I see it as an opportunity and a chance to help other Asian-American actors coming along.
We did two films [Kung Fu Panda], because the first two films were so embraced by the Chinese audiences we wanted to make something we could push further and since this is a co-production, it seemed like the perfect time to create something that felt native to Chinese audiences.
Suddenly, the screens were dominated by American entertainment to the extent of something like 95 percent. As a result, audiences turned away from the kinds of films that we used to make.
I wish people wouldn't just see me as the Asian girl who beats everyone up, or the Asian girl with no emotion. People see Julia Roberts or Sandra Bullock in a romantic comedy, but not me. You add raceto it, and it became, 'Well, she's too Asian', or, ‘She's too American’. I kind of got pushed out of both categories. It's a very strange place to be. You're not Asian enough and then you're not American enough, so it gets really frustrating.
There were so few examples of Asian or Asian-American lead characters on American TV or even in the movies. And the ones that have existed for so long were either stereotypical or offensive in some way, or just not reflective of the lives of people in the community.
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