A Quote by Jackie Chan

I've choreographed all of my movies. — © Jackie Chan
I've choreographed all of my movies.

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I have made movies on education and dance, have directed and choreographed legends of Bollywood. Now, I want to make a movie on martial arts. I myself am a black belt, so I am looking forward to do something on this.
A dancer, more than any other human being, dies two deaths: the first, the physical when the powerfully trained body will no longer respond as you would wish. After all, I choreographed for myself. I never choreographed what I could not do. I changed steps in Medea and other ballets to accommodate the change. But I knew. And it haunted me. I only wanted to dance.
It's a fallacy, long rebuffed by science, that humans use only about 10% of their brainpower. But it is true about most summer movies. Pouring their wizardry into special effects and well-choreographed fights, warm-weather action films rarely challenge the viewer with grand notions or beautifully baffling imagery.
I can't do choreographed movement. It has to come from my heart... and my pelvis.
As cool as Jack Swagger was, he felt choreographed.
The earliest movies that I loved were French movies and Italian movies. I grew up watching those kind of movies and often find the truest looks at human nature - you can find them in another countrys movies.
The earliest movies that I loved were French movies and Italian movies. I grew up watching those kind of movies and often find the truest looks at human nature - you can find them in another country's movies.
I didn't do choreographed fighting for a living. I was a professional wrestler for 15 years; there's a big difference.
I've been choreographed in various musicals before. So I'm not completely two left feet.
Composition and choreography were always very important to me and I choreographed for my earliest training.
Stunts have to be meticulously arranged. Choreographed. You could take a fight scene and set it to music.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
I did two movies that were arthouse movies; they were critically successful but made no money at all... but after making those movies, I thought, 'I wouldn't watch my own movies when I was 16, and my buddies where I came from wouldn't watch my movies, because they were boring.'
Most filmmakers' entire body of knowledge is of other movies. When they describe things, they describe them in relation to other movies. That's why we have so many cyclical movies that look like other movies. But I'm not cynical. I even go to some of those movies.
I wasn't a fanboy of horror. I didn't grow up on horror movies. I grew up loving all movies. I still love all movies, but I particularly love scary movies - as much for the culture around them as the movies themselves.
Movies are movies. Some bend light through a lens. Some create moving images virtually. At the end of the day, movies are movies.
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