A Quote by Jackie Collins
I am currently talking to one of the studios about making American Star as a TV series.
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All the interesting films are now being made by their subsidiaries for very low budgets. But the studios are not making money. They're making these big, very expensive pictures that take a lot of money but don't really pay for their costs. So they're having a very difficult time. I can see the system breaking down. I think the American studios are a reflection or a metaphor for American industry altogether, which is failing in the world. Its economic domination is being broken down and I think the same thing is happening to the studios.
The studios gotta start making more stuff where black folks get quality stuff. But I can't trip about that because I've been making movies for 35 years, and I've played everything from an old lady to a donkey, so I can't be on here talking about, 'They don't give us enough roles' and diversity.
There have been discussions of doing 'The Demon Cycle' on both large and small screen scale, and while there is no project currently in development, I think the series has both the big imagery and complex character development to have legs either as a TV series or film franchise.
Actors are programmed to see the worst. If you're talking about an actor's TV series, you say, 'I loved you last night.' And they go, 'What about the week before?' They immediately worry.
Actors are programmed to see the worst. If you're talking about an actor's TV series, you say, "I loved you last night." And they go, "What about the week before?" They immediately worry.
Even with the 'Top Boy' series with Ashley Walters... I've been talking like on the creative direction wave with Drake about the series. Making greatness with it. The whole style of what's going on in London, the sound, is real. It's an actual thing that actually happened. So it deserves to be on the telly.
One of the great things about a TV series is that it's different to a movie - in a movie you obviously know the beginning, the middle and the end of what you're going to do. With a TV series it's unfolding, and you're discovering with every episode.
At the major studios, you see people wanting to remake a TV series, wanting to make a sequel.
When I was 10 or 11, I was on this TV series called 'Dead Man's Gun' and Henry Winkler was a guest star. He hung out with me and my brother the whole time. We had no idea who he was. Our parents were star struck.
I worked as a stuntman on the 'Star Trek' TV series pilot.
I am not talking about you being a spectator, I am talking about involvement. I am talking about involving yourself into life in such a way that you dissolve into it.
The idea that the Crusades and the fight of Christendom against Islam is somehow an aggression on our part is absolutely anti-historical. And that is what the perception is by the American Left who hates Christendom... What I'm talking about is onward American soldiers. What we're talking about are core American values.
I am not talking about the American people and the British people, I am talking about those mercenaries. ... They have started throwing those pencils, but they are not pencils, they are booby traps to kill the children.
TV series, there's a lot of everybody talking to you and giving you input for the first couple episodes, and then they're on such a crazy schedule that you get another episode on a Monday, you have to have it done by Friday and it becomes very solitary work usually, TV shows.
I'm always kind of off to the next movie, and focused on making sure that the one I'm currently working on is as good as the one that's already on TV.
I'm going to insult a whole industry here, but it seems like TV is for people who can't do film. I'm not talking about actresses; I'm talking about lighting people. Lighting on TV is just so... it's sinful, it really is.
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