A Quote by Jackie Coogan

Most people think 'The Kid' was my first film. Not so. — © Jackie Coogan
Most people think 'The Kid' was my first film. Not so.

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"Bruce" was an Eddie Murphy film, so there was a whole different vibe, working on that film, as opposed to working on a [Adam] Sandler film, which I'd done a few of. First of all, there were tons of kids running around. I'm surprised I ever had a kid after doing that film.
When I made my first film, I think the thing was probably helped me the most was that it was such an unusual thing to do in the early 50s for someone who actually go and make a film. People thought it was impossible. It really is terribly easy. All anybody needs is a camera, a tape recorder, and some imagination.
You know, in an ideal world, people would just be intrigued and go and see a film without knowing anything about it, because that's where you're going to have the most experience of a film, the biggest, the most revelation of a film. But at the same time, I think there are benefits of having seen a trailer where you actually look forward to seeing moments in a film knowing that they're coming up. I don't know which is better.
The first horror film I remember seeing in the theatre was Halloween and from the first scene when the kid puts on the mask and it is his POV, I was hooked.
I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
The first job that I booked was a small role in James Franco's film 'Bukowski.' I had to make out with a 13-year-old kid. I think it was his first kiss. I was 15. I became so nervous on set that I actually fainted when James Franco came to direct me.
The film 'Back to the Future' certainly did a lot to put me where I am today, and I did not foresee that. I just was hoping the film would open successfully, the first one, but it's gone way beyond what I think most of us have imagined.
The people I love the most in the film industry are the writers. And I think they're the people who are most vulnerable and are really open to new ideas. They're the originators, the creators.
I can kid people, including myself, into believing that something on the page will work. But when you film it, you just think, "Oh ...".
We named all our children Kid. Well, they have different first names, like Hey Kid, You Kid, Dumb Kid . . .
Look, I think if you talk down to a kid or aim specifically at a kid, most kids aren't gonna like it, really, because most kids can feel when you are being patronizing.
I think the problem I have is that first impressions are the ones that stick with people. And people's first impressions of me are obviously from the film, from 'Gregory's Girl.'
I was obsessed with Batman as a kid. I did the film in part just to be near the Batmobile. But I also think [director] Christopher Nolan made a very fine, intelligent film.
I think with a lot of filmmakers, their first film is their best film because they had to think on their feet and solve problems with ingenuity.
I think that the first 'Saw' was really more of a psychological film about two people stuck in a room, and the traps and games that fans seem to embrace so much now were quite a small portion of the film.
I do believe that a film like Ten could never have been made with a 35mm camera. The first part of the film lasts 17 minutes, and by the end of that part, the kid has totally forgotten the camera.
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