A Quote by Jackie French

I think I have probably adjusted the way I see the world, I interpret the world and I communicate the world into book format simply because of this familiarity. Possibly in another society and another context I might have been a storyteller or who knows what.
One of the other reasons for writing this book [My Beloved World] was to hold on to the person you first met. More of the world knows about me now and follows me in a way that never happened before. I didn't want me, the inside of me, to change. Because I liked Sonia, the Sonia who has been. So another reason for writing the book was to hold on to that - whatever the best in Sonia was, to try to capture it.
Every once in a while I have this revelation like, "Wow, a hundred years ago the world wasn't black and white." It was in color. Photographed in a certain way, people look from another time. We are just not used to seeing ourselves in that context. Something that's fascinating about photography is you can isolate a moment, tear it out of its context, and see it afresh. Another realization is that, "Wow, there's a big world out there, and people are still doing all sorts of the things that they used to do." We don't just live in iPad land.
Having one foot in design and the other in sustainable and social projects, I hear this question quite often: 'Why does the world need another chair?' My answer is that the world needs another chair/bicycle/car or any new product for that matter, like the world needs another book.
But in another world, another life, probably growing up in another country, I might have been more of a dancer.
Another world is possible!' ... Another world is also necessary, for this one is unjust, unsustainable, and unsafe. It's up to us to envision, fight for, and create that world, a world of freedom, real justice, balance, and shared abundance, a world woven in a new design.
Leading innovation can be a uniquely lonely and unpopular thing because most of the time, you have to stand by yourself saying, "Everybody sees the world this way. I see the world another way."
Their task [creative artists], therefore, is to communicate directly from one inward world to another, in such a way that an actual shock of experience will have been rendered: not a mere statement for the information or persuasion of a brain, but an effective communication across the void of space and time from one center of consciousness to another.
A text makes the word more specific. It really kind of defines it within the context in which it is being used. If it is just taken out of a context and presented as a sort of object, which is what - you know, which is a contemporary art idea, you know. It is like an old surrealist idea or an old cubist idea to take something out of context and put it in a completely different context. And it sort of gives it a different meaning and creates another world, another kind of world in which we enter.
The way we describe our world shows how we think of our world. How we think of our world governs how we interpret our world. How we interpret our world directs how we participate in the world. How we participate in the world shapes the world.
Every form of art is another way of seeing the world. Another perspective, another window. And science - that's the most spectacular window of all. You can see the entire universe from there.
Perhaps looking out through big baby eyes - if we could - would not be as revelatory experience as many imagine. We might see a world inhabited by objects and people, a world infused with causation, agency, and morality - a world that would surprise us not by its freshness but by its familiarity.
I know you want me back. It's time to face the facts. That I'm the one that's got away. Lord knows that it would take another place, another time, another world, another life. Thank God I found the good in goodbye.
We are at that very point in time when a 400-year-old age is dying and another is struggling to be born - a shifting of culture, science, society, and institutions enormously greater than the world has ever experienced. Ahead, the possibility of the regeneration of individuality, liberty, community, and ethics such as the world has never known, and a harmony with nature, with one another, and with the divine intelligence such as the world has never dreamed.
In a world where globalisation wants to turn everybody into the same thing, I think that anything that allows you to go to another place or be in another world has got to be celebrated.
Story of O is a fairy tale for another world, a world where some part of me lived for a long time, a world that no longer exists except between the covers of a book.
A book is a door, you know. Always and forever. A book is a door into another place and another heart and another world.
This site uses cookies to ensure you get the best experience. More info...
Got it!