A Quote by Jackie French

One of my extraordinary regrets about my death is not so much that it's going to happen but simply that I'll never know what happens next. — © Jackie French
One of my extraordinary regrets about my death is not so much that it's going to happen but simply that I'll never know what happens next.
That's what I love about documentary filmmaking, we never know where the story is going, we don't know what is going to happen next, and we're inside a culture of people that you have to figure out in many ways. It's a relationship between what you thought might have been the story, and what happens in the 'field.'
I love watching scary movies because you always wonder what happens next, and that's what's going to happen on 'The Haunting Hour:' you're always going to want to know what happens next.
When I see an image in my head that compels me, where there's this mystery about what's going to happen next or could happen next, I'll be intrigued. There are so many scripts that you read, and you know exactly what's going to happen, and there aren't too many where you can't tell within the first 20 pages where it's going.
I never plan. I never know what the next page is going to be..... But that's the fun of writing a novel or a story, because I don't know what's going to happen next.
You never know what's going to happen sometimes, or what you think's going to happen never happens, or when you least expect it, the Santana record comes along and just blows up.
You want to know the hardest thing about being smart? What? I pretty much always know what's going to happen next; there's no suspense.
We don't know what is going to happen with Brexit, it's not going to be good for the North anyway whatever happens. It's not going to be good for Ireland whatever happens. And the problem is we don't know what is going to happen so we can't really prepare so everything is speculation.
What I love about jazz is the improvisation, the fact that you never know what's going to happen next.
I think predictability is built into any good novel in some way - you begin reading Anna Karenina and you know pretty much what's going to happen at the end. But that doesn't mean you know what's going to happen in the middle. For me, it's that sense of what happens in the middle that's important.
In real life we don't know what's going to happen next. So how can you be that way on a stage? Being alive to the possibility of not knowing exactly how everything is going to happen next - if you can find places to have that happen onstage, it can resonate with an experience of living.
The best actors just stay in the moment,and whatever happens in the scene is a genuine surprise. You really do not know what's going to happen next. But living that out in life is very dangerous because it throws you into a place where you don't know if you're going to survive.
Obviously, death is ahead of me. I don't look forward to dying one little bit. But, you know, I simply don't worry about it because it's going to happen to me as it does to anybody.
None of our films look alike, we are very dialectical in our approach to each one, and 'Hoop Dreams' was no exception. That's what I love about documentary filmmaking, we never know where the story is going, we don't know what is going to happen next, and we're inside a culture of people that you have to figure out in many ways. It's a relationship between what you thought might have been the story, and what happens in the 'field.' Out of that comes the story, which was exactly what happened with 'Hoop Dreams.'
Usually, you get a script and you have the whole story. All the acts are there, for a play. You know what happens in the first, second and third acts, and you know how it starts, where you go and where it finishes. [With American Horror Story: Asylum], it's a whole new experience. I don't know where it's going, and I don't know what's going to happen next. It's been an interesting way to work. It's made me work in a much more fluid, braver way, just taking every chance that comes along.
I think we spend so much of our lives trying to pretend that we know what's going to happen next. In fact we don't. To recognize that we don't know even what will happen this afternoon and yet having the courage to move forward - that's one meaning of faith.
I'm simply interested in what is going to happen next. I don't think I can control my life or my writing. Every other writer I know feels he is steering himself, and I don't have that feeling. I don't have that sort of control. I'm simply becoming. I'm startled that I became a writer.
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