A Quote by Jackie Gleason

If you have it and you know you have it, then you have it. If you have it and don't know you have it, you don't have it. If you don't have it but you think you have it, then you have it.

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The truth is, as you know, people like us look at what's happening in the world, and then we project it forward. We think, 'If I know A and B, then I've got to know that C and D are coming,' and that's kind of the way it's been with my fiction.
These are two different exercises. One of them is, "You don't know and I know, so just shut up and listen," and the other one is, you're curious and you're learning, and I have a way where you can learn this so you'll know it as well. And when you know it, and know why you know it, then you don't have to reference me ever again because you take ownership of the knowledge, and you can then share it with someone else.
If you know your history, then you would know where you coming from, then you wouldn't have to ask me, who the heck do I think I am.
A lot of people you think you know you don't know until you find out you don't know then it may be too late to know.
If you wake up one morning realising that you do not know anything, then you are awake. If you still think you know something, then you are still asleep. If you are still trying to know, you are still trying to control. If you are still trying to control then you still think something can 'go wrong'. If you still think something can go wrong then you are not in touch with the source. If you are not in touch with the source then you live in fear. You are living in the fear that you have created, and that you are trying to get away from.
Read carefully, then don't read; work hard, then forget about it; know your tradition, then liberate yourself from it; learn language, then free yourself from it. Finally, know at least one form of magic.
You become so intense that you are not there, because if you are there then the intensity cannot be total; then two are there. If you love and the lover is there, then love cannot be intense. Love so deeply, so totally, that the lover disappears. Then you are just an energy moving. Then you will know love, you will know life, you will know death.
There are bits at the table read that destroy, so much so that we can't wait to do it in taping. And then, no reaction. And then there are times when I can't get the right read on a line in rehearsal, and then the audience howls at it. The strange thing is I still don't know why it happens like that. It's not like afterwards I think, 'Now I know why that worked!'
I think it's important to understand Shari'a to be rooted in history - what we know about the history and what we don't know about the history. So then, if people want to argue, at least they're arguing from the same point and we know what we know, and we know what we don't know.
Back when the Bible was written, then edited, then rewritten, then rewritten, then re-edited, then translated from dead languages, then re-translated, then edited, then rewritten, then given to kings for them to take their favorite parts, then rewritten, then re-rewritten, then translated again, then given to the pope for him to approve, then rewritten, then edited again, the re-re-re-re-rewritten again...all based on stories that were told orally 30 to 90 years AFTER they happened.. to people who didnt know how to write... so...
The word "knowledge" itself, we like to break it down into two different words, "know" and "ledge." You've got to know the ledge. Know the limitation of things. Know where they go, know where they start from. We say knowledge is the basic foundation of the universe. But everything is first based on something being known. Then, when it's known, then it can be manifested.
When people go to the theater, they don't want to think 'I know exactly what I'm gonna get,' and then they get it and then they walk out. I think you want to walk in going 'I don't really know what this is about,' and have the fun of discovering it.
You know when sometimes you meet someone so beautiful โ€” and then you actually talk with them, and five minutes later they're as dull as a brick. But then there's other people, and you meet them and you think: "Not bad, they're okay," and then you get to know them, and their face sort of becomes them, like their personality's written all over it; and they just โ€” and they turn into something so beautiful.
As you get older and you realize you really don't know as much as you think you know, you listen more. Because then you think, now I need to be more receptive to the things I don't know. That's how you learn.
That's one of the great sadnesses of any life - knowing what you know now and then remembering what you did not know then.
The one of the great sadnesses of any life is knowing what you know now and then remembering what you did not know then.
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