A Quote by Jackie Joyner-Kersee
There are many women who came before me who didn't really have the same opportunities that I have had. That's why I always wanted to be a great ambassador - not only today's generation - but for the women who really didn't have a voice, but who paved the way for me.
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I think I always dreamt of having a brand that really was represented globally, that had a voice - that had a clear voice and a clear vision that made women feel great about themselves. That really spoke to women on a personal level. And that women could wear.
When I think of the limitless potential my young daughters, Grace and Brynn, will have as they grow into young women, I want my girls' generation to remember the strength, determination, and struggles of the women who came before them and paved the way.
I owe a debt of gratitude to two other living Justices. Sandra Day O'Connor and Ruth Bader Ginsburg paved the way for me and so many other women in my generation. Their pioneering lives have created boundless possibilities for women in the law. I thank them for their inspiration and also for the personal kindnesses they have shown me.
[I was] particularly eager to give voice to the women of my mother's place and generation, who grew up in turn-of-the-century, privileged New England households, who really never had a chance to flower and assess themselves and find out who they were. More than anything, I wanted to give voice to the sort of anger that women of that generation could never express for themselves.
There were a few before me, there was a generation that started a little bit before me of women producers and Sherry Lansing, she was the first woman studio president, and she was really inspiring to me. I was inspired by other women in other fields, I was an adolescent in the 70s with the second wave feminism, and I got very inspired by that and felt like, you know what, there's no reason why I can't do this.
The battle with Men Who Explain Things has trampled down many women - of my generation, of the up-and-coming generation we need so badly, here and in Pakistan and Bolivia and Java, not to speak of the countless women who came before me and were not allowed into the laboratory, or the library, or the conversation, or the revolution, or even the category called human.
I have worked for a lot of really great leaders and mentors that I felt provided me, along with many of my peers - many of them women - opportunities.
Women like me. Women love me, so if I really wanted to involve the women, I don't have to assault the women.
I went to a girls high school and I went to a women's college and when I first started teaching at Georgetown it had been a single sex school and so they wanted to have some women professors when they went co-ed, and so I originally was hired to start a program there, and really encourage women to go into foreign policy. I always have done that, and I really do think that things are better when women are involved.
Salma and I had run into each other once or twice at film festivals because I was doing the press for Real Women Have Curves at the same time she was doing the press for Frida. She had seen Real Women Have Curves, and when the idea of Ugly Betty came up, she thought of me. Her enthusiasm about the project was so infectious-she spoke of it with such expectation. Everyone that was involved was really excited about the project. I really wanted to be a part of it.
The next generation of women will enter a world in which they are perceived to have more opportunities for creating fulfilling lives than women have ever had before.
Why was it important for women to be only nice? Why can't she have dark layers? So when they came to me - films like 'Maqbool' and 'Astitva' - they just grabbed me, and I wanted to be part of them.
I always wanted to make sure that I was honest to myself and that people wanted to hear an opinion that was authentic... I wanted Man Repeller to be a voice for women who felt like they didn't have a voice or for women who didn't know how to express their voice.
I had a number of great teachers and the ones that really were the strongest influences on me were women. They were really, really smart and interesting women.
There was always a strong sense of femininity in the house, always that presence. And while it wasn't founded by a woman, the family always had this brilliant intuition for being surrounded by great women. Not that I am a great woman - I don't want to say that! - but there were always great women in different ages who had really a strong idea of style and could really translate the know-how of the house.
I hear a lot from women in Africa. And not just from dark-skinned women but from all women struggling because of insecurity. They thank me and tell me that I inspire them. And that makes me feel really, really proud.
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