A Quote by Jackson Browne
No matter how close to yours another's steps have grown, in the end there is one dance you'll do alone.
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We cannot make another person change his or her steps to an old dance, but if we change our own steps, the dance no longer can continue in the same predictable pattern.
Well, birthdays are merely symbolic of how another year has gone by and how little we've grown. No matter how desperate we are that someday a better self will emerge, with each flicker of the candles on the cake, we know it's not to be, that for the rest of our sad, wretched pathetic lives, this is who we are to the bitter end. Inevitably, irrevocably; happy birthday? No such thing.
With dancing, you have to know spatial movement with somebody. It is steps. It's literally steps and knowing how close to be or how far away. You have to have the beat in the right place with the camera.
At the end of the day, when it comes down to it, all we really want is to be close to somebody. So this thing where we all keep our distance and pretend not to care about each other, it's usually a load of bull. So we pick and choose who we want to remain close to, and once we've chosen those people, we tend to stick close by. No matter how much we hurt them. The people that are still with you at the end of the day, those are the ones worth keeping. And sure, sometimes close can be too close. But sometimes, that invasion of personal space, it can be exactly what you need.
Now I am going to reveal to you something which is very pure, a totally white thought. It is always in my heart; it blooms at each of my steps... The Dance is love, it is only love, it alone, and that is enough... I, then, it is amorously that I dance: to poems, to music but now I would like to no longer dance to anything but the rhythm of my soul.
Utopia lies at the horizon. When I draw nearer by two steps, it retreats two steps. If I proceed ten steps forward, it swiftly slips ten steps ahead. No matter how far I go, I can never reach it. What, then, is the purpose of utopia? It is to cause us to advance.
It doesn't matter, that's the point. It doesn't matter that things don't always work exactly the way you thought they should. Moments matter. People matter, how they feel, how they connect. Who they are alone and together. All that matters, no matter how quickly the moment passes. Maybe because it passes.
It doesn't matter if I'm off the beat. It doesn't matter if I'm snapping to the rhythm. It doesn't matter if I look like a complete goon when I dance. It is my dance. It is my moment. It is mine. And dance I will. Try and stop me. You'll probably get kicked in the face.
At the end of the day, you're just another person in society. It doesn't matter how much fame you have. It doesn't matter how much money you have.
No matter how close to personal experience a story might be, inevitably you are going to get to a part that isn't yours and, actually, whether it happened or not becomes irrelevant. It is all about choosing the right words.
It is not humility to insist on being someone that you are not. It is as much as saying that you know better than God who you are and who you ought to be. How do you expect to arrive at the end of your own journey if you take the road to another man's city? How do you expect to reach your own perfection by leading somebody else's life? His sanctity will never be yours; you must have the humility to work out your own salvation in a darkness where you are absolutely alone.
I saw the dance as a vision of ineffable power. A man could, with dignity and a towering majesty, dance. Not mince, cavort, do "fancy dancing" or "showoff" steps. No: Dance as Michelangelo's visions dance and as the music of Bach dances.
Your ears are yours alone. Tell others what you alone can hear. Your voice is yours alone. Tell others what only you can say. Your eyes are yours alone. Show others what only you can see.
You experience life alone, you can be as intimate with another as much as you like, but there has to be always a part of you and your existence that is incommunicable; you die alone, the experience is yours alone, you might have a dozen spectators who love you, but your isolation, from birth to death, is never fully penetrated.
The heart of another is a dark forest, always, no matter how close it has been to one's own.
When I get on the dance floor, my purpose in being on the dance floor is not to end up at another spot when the music stops. The purpose of the dance is to enjoy every step along the way.
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