A Quote by Jackson Pollock
Most modern painters work from a different source. They work from within.
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Today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source. They work from within.
Modern art to me is nothing more than the expression of contemporary aims of the age we’re living in. All cultures have had means and techniques of expressing their immediate aims – the Chinese, the Renaissance, all cultures. The thing that interests me is that today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source, they work from within.
... too many young painters of the day work for the crowd, and not for art. But, then, should not the painters of the day work for the education of the crowd?
Modern Art is being used to index me. Surely it was a source but photographers have influenced Modern Art quite as deeply as they have been influenced, maybe more. Anyway painters don't have a copyright on M. A. We were all born in the same upheaval.
Every artist preserves deep within him a single source from which, throughout his lifetime, he draws what he is, and what he says. When the source dries up, the work withers and crumbles.
The painters have no copyright on modern art!... I believe in, and make no apologies for, photography: it is the most important graphic medium of our day. It does not have to be, indeed cannot be - compared to painting - it has different means and aims.
When an artist begins to count strokes instead of regarding nature he is lost. This preoccupation with technique, at the expense of truth and sincerity, is the principal fault I find in much of the work of modern painters.
The thing most worth doing in this modern world [is to] create jobs that men can work at, and be proud of, and make money by their work.
I'm very much of that old-school mentality of believing that if it works with an acoustic guitar and a vocal, then it should work within any format - and especially when most of my live work is just guitar and vocals, so it really does have to work with only that.
By the time I discovered Chicano painters in the mid-'80s, I recognized that these guys were really world-class painters, but they weren't getting any attention, which was good in one sense in that I could get their work for cheaper!
Modern life cannot be constructed on . . . physically strenuous principles. A great deal of work is sedentary, and most manual work exercises only a few specialized muscles.
Modern technique has made it possible for leisure, within limits, to be not the prerogative of small privileged classes, but a right evenly distributed throughout the community. The morality of work is the morality of slaves, and the modern world has no need of slavery.
I think that there is far too much work done in the world, that immense harm is caused by the belief that work is virtuous, and that what needs to be preached in modern industrial countries is quite different from what always has been preached.
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
Our identity was bestowed upon us by God and when humanity rebelled against God, we were divorced from the source of our identity. In this vacuum, work can wrongfully become the source of our identity wreaking havoc on our lives and work. Work was never meant to carry the weight of our identity.
The modern woman has a modern life, and most of us work. There's no time to change before we go out in the evening, so a dress should always look appropriate for day and night.
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