A Quote by Jackson Pollock

It doesn't matter how the paint is put on, as long as something is said. — © Jackson Pollock
It doesn't matter how the paint is put on, as long as something is said.
It doesn't make much difference how the paint is put on as long as something has been said. Technique is just a means of arriving at a statement.
It does not matter how badly you paint so long as you don't paint badly like other people.
My work is not about paint. It's about paint at the service of something else. It is not about gooey, chest-beating, macho '50s abstraction that allows paint to sit up on the surface as subject matter about paint.
If you're an artist, you need to work. It doesn't matter how old you are, who you are. It doesn't matter if you're 12: if you draw, you draw. If you're 85 and you paint, you paint.
No matter what precautions we take, no matter how well we have put together a good life, no matter how hard we have worked to be healthy, wealthy, comfortable with friends and family, and successful with our career — something will inevitably ruin it.
The word 'abstract' comes from the light tower of the philosophers. One of their spotlights that they have particularly focused on 'Art'. [Abstraction was] not so much what you could paint but rather what you could not paint. You could not paint a house or a tree or a mountain. It was then that subject matter came into existence as something you ought not have.
Painting allows me to use other portions of my brain pleasurably. Irony plays no part in what or how I paint. I paint the particular subject matter not to make polemical points but because I am interested in the human imprint on the landscape. I paint the landscape of my time and place with the stuff in it.
It took me a long time to learn how to be brave enough to put myself out there and try everything, no matter how strange or silly. If I can impart that same wisdom to other folks - no matter what age - it would be an honor.
I said, I don't want to paint things like Picasso's women and Matisse's odalisques lying on couches with pillows. I don't want to paint people. I want to paint something I have never seen before. I don't want to make what I'm looking at. I want the fragments.
To paint is to know how to put nothing on canvas, and have it look like something when you stand back.
As long as you can change paint, you don't change. For you to change - for paint to do something to you - paint must stay constant.
People ask me how I keep my figure, and I tell them it's because I paint. When you're covered in paint, it's quite hard to put food in your mouth!
If the majority of people of a country, no matter how great its natural resources, organize and conspire to get more out and put less in, to do less and get more, how long will, how long can it last?
It doesn't matter how tough you are. It doesn't matter how smart you are or what a great leader you are. None of that stuff matters if you can't put the ball where you have to put it.
Before this I tended to paint figures and put them in an environment. Now I paint an environment to put figures in. It's a subtle difference, but it is a difference. It's something I did naturally.
Pick up a camera. Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Put your name on it as director. Now you're a director. Everything after that you're just negotiating your budget and your fee.
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