A Quote by Jackson Pollock
I have no fear of making changes, destroying the image, etc., because the painting has a life of its own.
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When I am in a painting, I'm not aware of what I'm doing. It is only after a sort of 'get acquainted' period that I see what I have been about. I have no fears about making changes, destroying the image, etc, because the painting has a life of its own. I try to let it come through. It is only when I lose contact with the painting that the result is a mess. Otherwise there is pure harmony, an easy give and take, and the painting comes out well.
When I'm painting, I'm not aware of what I'm doing. It's only after a get acquainted period that I see what I've been about. I've no fears about making changes for the painting has a life of its own.
What interested me in film was the image-making aspect of it. So, I went to school in cinematography. I was really convinced that image was what I wanted to do, and I think it came from the fact that I lived in a small town my whole life, but my mother was very interested in painting, so she would bring us to Paris for two weeks. So, we're going to the Louvre and to the museums and to see shows. In the evening we were seeing theater. Painting is basically what led me. I think the image was key.
There was this interesting quote: try and live your life without fear and desire. It's this concept that's like when you look at a painting in a museum and you are held in aesthetic arrest. So the I, the ego, is stripped, is gone. The observer and thing become one. That's where fear and desire come in because you don't want to own it, possess it, desire it, and it's not moving you to fear. It's like you're in this harmonious state with the object.
Writing is both bomb and bomb disposal-a necessary shattering of cliche and assumption, and a powerful defusing of the soul-destroying messages of modern life (that nothing matters, nothing changes, money is everything, etc). Writing is a state of being as well as an act of doing.
A painting has its own existence and reality, and I make changes freely to meet the painting's needs. This sometimes takes me in another direction.
I find that many people have a hard time, at first, in painting a compelling image of an achievable future; to envision their legacy, that is. Often this is because they're afraid to commit for fear of failure.
There is nothing I love more than helping someone realize how corrupt our food system is and them making great changes in their own life because of it.
The delights of this life are not its own, but our fear of the ascent into a higher life; the torments of this life are not its own, but our self-torment because of that fear.
The earth is not a mechanism but an organism, a being with its own life and its own reasons, where the support and sustenance of the human animal is incidental. If man in his newfound power and vanity persists in the attempt to remake the planet in his own image, he will succeed only in destroying himself - not the planet. The earth will survive our most ingenious folly.
Usually I draw in relation to my painting, what I am working on at the time. On a lucky day a surprising balance of forms and spaces will appear... making itself, the image taking hold. This in turn moves me toward painting - anxious to get to the same place, with the actuality of paint and light.
I think as long as the standard of quality, the story-telling, film-making, acting etc. etc. remains consistent, then you've got a good change of making a decent anthology.
Art as a political gesture is committed to making something beautiful, and then understanding what beauty is in your own time, because what we think of as beauty changes with time. The notion of beauty everywhere changes.
We go to sea repeatedly from Melville's time on - and the image of men at sea, like the image of men in the wilderness, seems to me to be almost an archetypal image of human beings on their own, human beings making their own way, guiding themselves by the stars they can see - rather than by faith or prayer or invisible forces.
Our own private intuition is the catalyst for self-improvement and self-realization, because when it comes to making deep and lasting changes in one's personal life, it is only subjective experience, not facts, that registers as real.
If you want to be powerful in life you have to enjoy the process. You have to get pleasure out of making the thing that you're making. There has to be that kind of purpose behind it. If your purpose is simply gaining power, if that becomes your end in life then you end up sort of destroying yourself because you lose the sense of detachment that's very necessary.
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