A Quote by Jackson Pollock

When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.
Everyone has problems. It's how you choose to deal with them. Some people choose to be whiners some choose to be winners. Some choose to be victims some choose to be victors.
I enjoy construction and the process of building things, so maybe I'd be a developer of some kind - residential and commercial. Because I produce a lot of television now, I enjoy building things from the ground up, whether it's a physical structure or a show, and seeing them and realizing them.
There was a day on the set of Iron Man where I said, "I remember some of this stuff. I definitely had some Iron Man books. But, S.H.I.E.L.D. is a little bit of a weak spot for me."
Some say an army of horsemen some an army on foot others say ships laden for war are the fairest things on earth. But I say the fairest sight on this dark earth is the face of the one you love. Nor is it hard to understand: love has humbled the hearts of the proudest queens. And I would rather see you now stepping over my threshold than any soldier greaved in gold or any iron-beaked ship.
Detachment, lack of sentimentality, originality, a lot of things that sound rather empty. I know what they mean. Let's say, "visual impact" may not mean much to anybody. I could point it out though. I mean it's a quality that something has or does not have. Coherence. Well, some things are weak, some things are strong.
Some goin' east; and-a some goin' west, Some stand aside to try their best. Some livin' big, but the most is livin' small. They just can't even find no food at all.
I've been lucky enough with my NBA money to make some investments in some pretty cool things, whether it be partnering up with Ben Sturner and the Leverage Agency; being involved in an analytics company called Simatree; or creating a production company and working with brands and creating content in house.
Films are big hits when they touch a lot of people. Things are not funny in a vacuum, they're funny because we respond to some personal dislocation, some embarrassment, some humiliation, some pain we've suffered, or some desire we have.
We are not in the business of iron ore. Whatever captive iron ore sources we have, we use it to make steel.
I have a lot of written material, and all of it's different. Some records that I have are country, some pop, some alternative rock. I just write what I feel, so I can't specifically say. I just want to be an artist of truth and an artist that stays true to herself.
There are areas using what's called the "checkerboard strategy." They are different cities where you can move around the "checkerboard," doing things you can't do in every square, that you can do in some of them, building a mosaic of these kinds of practices. There are about 400 cable television networks, for example, that are publicly owned. That's a big fight for big private companies. In some areas, this is a political struggle, in some it's conventional common sense.
If you want to build a car, you don't slap a bunch of iron ore, some sand, a rubber tree, and a couple of cows together and call it good
That ain't nothing to be proud of, man. I'm not going to say, like, I'm an angel. I've definitely did some things. I just... I don't know... it's kind of corny to do that sometimes, you know? I mention it a few times, but I don't go crazy with it. I ain't a coke rapper, na'mean? I wasn't no big drug dealer neither, B. You know what I mean? I made enough to get fly, keep a little stack in the crib... couple of stacks in the crib. But I wasn't crazy with it. So that s**t ain't... I always worked for somebody. I got some other n***a rich.
Some people want tolerance to mean now that all ideas are equally valid. That's nonsense. There are some things that are right and there are some things that are wrong.
But that is the way of the place: down our many twisting corridors, one encounters story after story, some heroic, some villainous, some true, some false, some funny, some tragic, and all of them combining to form the mystical, undefinable entity we call the school. Not exactly the building, not exactly the faculty or the students or the alumni - more than all those things but also less, a paradox, an order, a mystery, a monster, an utter joy.
Well, let's say Asian. Some are Japanese. Some are Chinese. Some are Thai. Some are Vietnamese. He runs the gamut. And I actually happen to have a very dear daughter-in-law who's Japanese. I don't know what she's going to make of the film, but I say a few disparaging things.
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