A Quote by Jaclyn Moriarty

Emily: YOU CAN'T SPEAK AND TYPE AT THE SAME TIME, BINDY! Bindy: Watch me. — © Jaclyn Moriarty
Emily: YOU CAN'T SPEAK AND TYPE AT THE SAME TIME, BINDY! Bindy: Watch me.
I offer Emily half of my hit of acid- Love Saves the Day. It's my second or third time tripping, Emily's first, and she's understandably trepid. Awake all night, at one point I find her touching her reflection in a cruelly lit dorm bathroom, asking if she'll ever be the same. I kiss her then for the first time and whisper, No.
Whenever I see a celebrity that comes to watch me play, I'm going to do for them the same thing they've done for me - bring them some type of joy.
I have been in love with Emily Dickinson's poetry since I was 13, and, like an anonymous post on findagrave.com says, 'Dear Emily - I hope I have understood.' Emily's poems are sometimes difficult, often abstract, on occasion flippant, but her mind is inside them.
When I sit down with filmmakers, I feel like we speak the same language in a lot of ways. We watch the same movies and have the same influences. If anything, it creates a dialogue that makes my work more effective.
Cruyff was one of the best, he was my hero and my example. He was a star at the same time as George Best, fantastic to watch. I knew him later on, he became my trainer, my adviser, my team-mate, my opponent. It was easier for me to play with him than to speak to him.
When I was a kid, people called me Emily rather than Esperanza, even though my full name is Esperanza Emily Spalding.
My life, my life, now I speak of it as of something over, now as of a joke which still goes on, and it is neither, for at the same time it is over and it goes on, and is there any tense for that? Watch wound and buried by the watchmaker, before he died, whose ruined works will one day speak of God, to the worms.
I was sleeping in the woods one night after a gig we'd played somewhere, when I saw this girl appear before me. That girl was Emily. (on how he wrote "See Emily Play") "Chapter 24"-that was from the "I Ching", there was someone around who was very into that, most of the words came straight off that. "Lucifer Sam" was another one-it didn't mean much to me at the time, but then three or four months later it came to mean a lot.
Some readers may be disturbed that I wrote 'The Secret Life of Emily Dickinson' in Emily's own voice. I wasn't trying to steal her thunder or her music. I simply wanted to imagine my way into the head and heart of Emily Dickinson.
All the work that I have done is the type I would want to watch. If I can't watch it myself how can I expect people to watch it?
I was born in New York City, along with a twin sister. I am five minutes older than Emily. It was Emily, for reasons no one knows - she certainly doesn't - who called me Avi. It stuck. It's the only name I use now.
On my very first day at T-Mobile, I demanded that every time I spoke publicly to the company, all employees across the country would be invited to watch. I faced legal and all that crap, but ultimately we were able to figure it out. We record it, too, so if somebody can't leave the sales floor, they can watch it later. Another thing I did very early on is give every employee stock, which we continue to do. So every time I speak to them I speak way over some of their heads.
Boxing is strange to watch. It's impossible to take your eyes off of it. Part of our brains like to watch violence. At the same time, it's horrifying to watch two men try to knock each other out.
Like, the smells and the sights and the sounds. As an artist, you want to sort of be able to engage that and get that down in some way. This is - this is a type of familiarity but a type of radical difference at the same time.
When I had David and Emily I was a stay-at-home mum and I only went out to work when Emily was three.
I was a highlight coordinator. My job was to go in and watch games, watch and type. Basically every time the camera frame changed, I had to log it as something: 'Emmitt Smith rushed for 4 yards... Close-up of Jimmy Johnson on the sidelines... 37-yard field goal.'
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