A Quote by Jaco Pastorius

The secret to the sound is to drop the bass on the floor! — © Jaco Pastorius
The secret to the sound is to drop the bass on the floor!
I often use a return channel to get some shape out of the bass. It's a good way to split the frequencies of the bass so that the sub bass is clean and in mono and the higher end of the bass sound can be filtered off - have it on an audio channel and that's where you can use effects.
I don't look at my instrument as having one specific role; I was raised to go as far as you can. But Raphael Saadiq hated my bass. He told me to throw it away. And playing in Snoop's band, there was a time when my bass was more annoying to everyone than helpful. They would get on my case: 'Can you make your bass sound like more of a bass?'
The bass, no matter what kind of music you're playing, it just enhances the sound and makes everything sound more beautiful and full. When the bass stops, the bottom kind of drops out of everything.
Listen to the secret sound, the real sound, which is inside you. The one no one talks of speaks the secret sound to himself, and he is the one who has made it all.
Musically, I am still hooked and just hypnotized by the sound of the guitar itself. I mean, a guitar sounds good if you drop it on the floor.
It's as if my left heel is my bass drum and my right heel is the floor tom-tom. I can get snare out of my right toe by not putting it down on the floor hard, and, if I want cymbals, I land flat on both feet, full strength on the floor.
In the late '80s and early '90s, there was a slightly retro drum sound that was popular in hip-hop music called the 808 bass drum sound. It was the bass drum sound on the 808 drum machine, and it's very deep and very resonant, and was used as the backbone as a lot of classic hip-hop tracks.
A bass should sound like a bass with the thump of the finger against the wood, like it began with stand up.
I love a little distortion across the bass; I think it kind of adds something to the sound of the band when the bass is a little overdriven.
I've always been fascinated with sound, since I was a little kid when my mother Dorothy Dean took me to my first piano lesson. Later on, my guitar, bass guitar, and synthesizer were my secret weapons.
Every Bass Communion track is based on a single sound source. Increasingly I find that I'm really interested in taking a particular sound and it's almost like solving a problem. If I have a sound, the problem is how can I create a piece of music from this one sound source?
I need a little bass and I don't even need that crazy bass to break your face. I just want it to sound good when I have my favorite song.
Yossarian was cold, too, and shivering uncontrollably. He felt goose pimples clacking all over him as he gazed down despondently at the grim secret Snowden had spilled all over the messy floor. It was easy to read the message in his entrails. Man was matter, that was Snowden's secret. Drop him out a window and he'll fall. Set fire to him and he'll burn. Bury him and he'll rot, like other kinds of garbage. The spirit gone, man is garbage. That was Snowden's secret. Ripeness was all. I'm cold,' Snowden said. 'I'm cold.
I came from an era when we didn't use electronic instruments. The bass wasn't even amplified. The sound was the sound you got.
It was their secret, a secret meant for just the two of them, and she'd never been able to imagine how it would sound coming from someone else. But, somehow, Logan made it sound just right.
At the time, I didn't know that bass would not be enough for me. I'm not a bass player because bass is always a background instrument even to this very day.
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