It's really easy to play harmonics, anyone can do it. It's another thing to be able to swing, to make to make a band swing, to create a groove. Harmonics ain't everything. Being able to play harmonics certainly does not make you a good bass player. Cleverness is no substitute for true awareness.
Harmonics are vibrations a fraction of the length of the vibrating string, which add higher-pitched and more complex content to the notes. With a dull instrument, the harmonics die out, but with a sustaining instrument, the harmonics continue to sound along with the fundamental note.
When I first started experimenting with harmonics, I'd sometimes hook up two distortion boxes just to get my strings 'frying,' which helped bring out the harmonics.
I have been using delay and reverberation since the middle 1960s. I use them to make what is almost inaudible to the ear, audible. I do not use them to play loudly but to make the higher harmonics heard.
If you take a violin, you can make it sound 50 different ways. Not just pizzicato and played by the bow, but ponticello, and harmonics, and tremolos. If you take an oboe and play it, there's about one way you can make it sound: like an oboe.
Every time I want to impress someone about samples and hip-hop, I play 'Portrait of Tracy.' It's one of the greatest bass players ever doing a whole composition with only the two harmonics of electric bass; then a three-second loop in it became every great R&B song in five-year intervals.
Jeff Beck is compelled by his inner artistic drive to keep evolving the instrument. He'll use the whammy bar with the volume knob and the tone control all at the same time - creating harmonics that no human being should be able to hit.
I sit on the bench, and I watch even my teammates swing, so you can learn from them when they make a bad swing or good swing. I like to watch from the rookie to the veteran player, and that way you can see the difference and learn something from them.
Swing your swing. Not some idea of a swing. Not a swing you saw on TV. Not that swing you wish you had. No, swing your swing. Capable of greatness. Prized only by you. Perfect in it's imperfection. Swing your swing. I know, I did.
'Swing' is an adjective or a verb, not a noun. All jazz musicians should swing. There is no such thing as a 'swing band' in music.
You either swing a band or don't swing a band and that's what's lacking today.. There aren't any guys who get back there and play with any kind of guts.
I think the band can really swing when it swings easy, when it can just play along like you are cutting butter.
To make harmonics scream, I first dump my Floyd Rose real quick, hit a harmonic with my left hand while the string is still flapping, and then use the bar to pull it up to the pitch I wanna hit.
I feel like there are a lot of positives in my swing. I'm really going to work around the rhythm of my swing, being able to keep my rhythm and being more consistent. Consistency is what I'm looking for, performance-wise.
I miss playing baseball. Just being able to swing the bat, or run, or dive for a ball, or slide into second. If I could even do that in a softball league, I would never miss anything about baseball. I don't miss the crowds or the travel or even being in the big leagues. I just miss being able to take batting practice and being able to swing as hard as I can. That's all I miss.
I love making films. I'm happiest when I'm doing it. For me, the fear is not being able to make the next thing and not being able, as a woman filmmaker and as a filmmaker of color, to put together the resources to make another thing.
I use some pretty radical harmonics at the beginning of 'Heresy.'