A Quote by Jacob Anderson

I wanted to write or direct more than I wanted to be in front of the camera. I still occasionally feel completely uncomfortable being looked at. — © Jacob Anderson
I wanted to write or direct more than I wanted to be in front of the camera. I still occasionally feel completely uncomfortable being looked at.
Being in front of the camera - first of all, when I wanted to get into television, it was as a producer. I never had an idea that I would do anything in front of the camera, and that kind of happened by accident. But I wanted to be a producer or give me a job with the Yankees or play for the Knicks. I was a sports nut when I was a kid.
I moved to L.A. to write and direct. I had no intentions of being in front of the camera.
I actually wanted to first direct and produce, but then I got this very cool opportunity to be in front of the camera once.
I have received the digital camera as a blessing. It has really changed my life as a filmmaker, because I don't use my camera anymore as a camera. I don't feel it as a camera. I feel it as a friend, as something that doesn't make an impression on people, that doesn't make them feel uncomfortable, and that is completely forgotten in my way of approaching life and people and film.
Bob Dylan was uncomfortable being known as just a protest singer. He wanted to go back into himself and do what he wanted to do when he wanted to do it.
I think going away and disappearing for a couple of years - or a few years, or whatever - definitely changed the way I look at songwriting. It made me feel more free, it made me feel more like I could just write what I wanted to write about. I wanted to write more observational songs.
I think with my book, I wanted to first of all just be completely involved in it. I wanted to write it; I didn't want a ghost writer. I wanted to be honest about everything.
I always just wanted to write and maybe direct. I'm really only interested in that. And yet the business that I'm in has forced me into being a salesman - that's the last thing that 17-year-old me would imagine I'd end up being. I'm uncomfortable trying to sell anything, but that's what you're doing every time you walk into a pitch.
I wanted to direct more than I wanted to act. And I found I couldn't do everything.
Marilyn Monroe gave more to the still camera than any actress, any woman I've ever photographed; infinitely more patient, more demanding of herself and more comfortable in front of the camera than away from it.
I didn't write my speech until the night before, and even then I refused to write it out like I would say it, preferring to keep cribbed notes I could come back to if necessary. I wanted this to feel like a conversation because it was what I wanted to say that mattered, not how it looked on paper.
I always wanted to write movies that I'd direct. I didn't come at it from a writing standpoint more than a directing standpoint, except that growing up, I didn't have the opportunity to shoot as much as I did to write.
I would always get a lot of work as a writer, but that wasn't what I wanted to be. For me, I was only doing half of what I really wanted to do - write and direct.
I wanted to write poetry almost a little more than I wanted to eat.
I wanted to be a musician. I just wanted to be famous because I wanted to escape from what I felt was my limitation in life... And I wanted to write music, and I didn’t know what I was doing and I never had the technique or understanding of it... But I’ve always played the piano and I can improvise on the piano, but the problem is that I can’t write down what I write. I can read music but I can’t write numbers.
I'm better at producing than I am at being a songwriter, but it doesn't change the fact that I still have a desire to play and write songs. I've never wanted to be a career musician. But I still love to play and write. It's a big part of who I am.
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