A Quote by Jacob Bannon
If anything, I feel that the current generation of listeners of heavy music are progressing a bit passed their gateway bands and are digging deeper than they used to and understanding more abrasive and complex music and art. It's like being around an unfamiliar language long enough that it eventually begins to make sense.
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I think [game music] is something that should last with the player. It's interesting because it can't just be some random music, but something that can make its way into the player's heart. In that sense, this not only applies to game music, but I feel very strongly about composing songs that will leave a lasting impressionWhat I must not forget is that it must be entertaining to those who are listening. I don't think there's much else to it, to be honest. I don't do anything too audacious, so as long as the listeners like it, or feel that it's a really great song, then I've done my job.
I was in punk rock bands, heavy metal bands, world music bands, jazz groups, any type of music that would take me. I just love music.
I'd been making music that was intended to be like painting, in the sense that it's environmental, without the customary narrative and episodic quality that music normally has. I called this 'ambient music.' But at the same time I was trying to make visual art become more like music, in that it changed the way that music changes.
I started playing guitar when I was 12 and probably from that age knew that I wanted to make music and make my own music. Playing with other bands like the Polyphonic Spree and Sufjan Stevens was more like an apprenticeship for me than anything.
You don't make this kind of music expecting to have to do TV press and stuff like that. I don't mind doing it, but it's a fairly underground type of music. You do it for the love of the music more than being a star or anything.
Britain, as a pop music nation, used to have this very 'empire' kind of attitude. We used to 'invade' the world with our bands, you know? That's obviously changed, because in Europe they're much more interested in bands speaking their own language. Especially in France and Germany. They're starting to develop their own bands much more.
I think there will always be great new music and bands. As long as there's people around, there's going to be great music. I think there's bands like Wolf Eyes, Q & Not U, the Evens and many others that are doing great stuff. The music that doesn't please you, you just don't listen. No one makes me listen to Nickelback, so long may they wave.
I went to college for, like, a year and a half with the intention of doing some kind of art therapy or some kind of teaching of art, because I feel like art is a more free area in school than music is. I feel like music is too mathematic for me. Music school's so hard. It's math.
Music, for centuries and centuries, was used to teach everything. It was used to teach language, mathematics, history. The news was music. Everything traveled by song. It was used to teach ethics. It was used to create conscience, probably more than anything.
I like the old school heavy metal bands like AC/DC and Aeromith. I like that type of music. As the director, I tried to influence the type of music the bands in the movie would play.
I remember always looking forward to listening to country music in the car with my mother, and it wasn't even something I enjoyed in the sense of music, but just being around music itself was enough.
I made the decision that my contribution needed to be more musical than political. My music was enough, politically. Art matters. Art was enough. My music was enough to say what I had to say.
Classical music is a genre of music. It's no more complex or less complex than pop music or R&B. The elitism is weird.
Imagine a music business where all the music press talked about, all day long, was cover bands of old rock and pop groups. Beatles cover bands, Rolling Stones cover bands, The Who cover bands, Led Zeppelin cover bands. Cover bands, cover bands, everywhere you go.
I feel like folk music is almost like an old recipe that is passed on from generation to generation.
I started writing songs for youth theater and stuff, and so it's really writing music for the stage that started me out, but then I eventually went to music college and did a two-year course in contemporary music and then just played in endless bands, cover bands, jazz bands.
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