A Quote by Jacob Bronowski
The discoveries of science, the works of art are explorations - more, are explosions, of a hidden likeness. The discoverer or artist presents in them two aspects of nature and fuses them into one. This is the act of creation, in which an original thought is born, and it is the same act in original science and original art.
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English is necessary as at present original works of science are in English. I believe that in two decades times original works of science will start coming out in our languages. Then we can move over like the Japanese.
I believe that any form of art is a species of exploration and transgression. ... Art by its nature is a transgressive act, and artists must accept being punished for it. The more original and unsettling their art, the more devastating the punishment.
No original thought still exists. People are original, each one of them. The same ideas that others had before you are waiting for you to bring them back to life in a new way. The part of who you are that is left behind within these old ideas is what makes them original all over again.
How the original 'Cosmos' affected me personally was long-term. I wasn't born early enough to see the original series, but after getting a hold of it in my teen years, it was one of the driving forces behind my passion for science.
Gradually, ... the aspect of science as knowledge is being thrust into the background by the aspect of science as the power of manipulating nature. It is because science gives us the power of manipulating nature that it has more social importance than art. Science as the pursuit of truth is the equal, but not the superior, of art. Science as a technique, though it may have little intrinsic value, has a practical importance to which art cannot aspire.
That was the real secret of the Tarahumara: they'd never forgotten what it felt like to love running. They remembered that running was mankind's first fine art, our original act of inspired creation.
There are two avenues from the little passions and the drear calamities of earth; both lead to the heaven and away from hell-Art and Science. But art is more godlike than science; science discovers, art creates.
REPLICA, n. A reproduction of a work of art, by the artist that made the original. It is so called to distinguish it from a "copy," which is made by another artist. When the two are mae with equal skill the replica is the more valuable, for it is suppose
Original thought, original artistic expression is by its very nature questioning, irreverent, iconoclastic.
The joy of art is particularly sweet, though, because it carries with it the threat of rejection, of failure, and of missed connections. It's precisely the high-wire act of "this might not work" that makes original art worth doing.
In the past we believed both sexes were born with original sin. Today, we have come to unconsciously believe in the original sin of boys, but the original innocence of girls.
Original thought is like original sin: both happened before you were born to people you could not have possibly met.
There is an art to science, and a science in art; the two are not enemies, but different aspects of the whole.
There are... scientific works - star catalogues, for example - which are not art; but the theoretical structures of Gauss, Einstein, or Maxwell are original, individual, "very personal" responses and expressions of exactly the same kind as the creative works of Beethoven or Dostoievski.
Color, in the outward world, answers to feeling in man; shape, to thought; motion, to will. The dawn of day is the nearest outward likeness of an act of creation; and it is, therefore, also the closest type in nature for that in us which most approaches to creation--the realization of an idea by an act of the will.
Science is feasible when the variables are few and can be enumerated; when their combinations are distinct and clear. We are tending toward the condition of science and aspiring to do it. The artist works out his own formulas; the interest of science lies in the art of making science.
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