A Quote by Jacob Bronowski

We are all shot through with enough motives to make a massacre, any day of the week that we want to give them their head. — © Jacob Bronowski
We are all shot through with enough motives to make a massacre, any day of the week that we want to give them their head.
The season is long. You go through aches and pains with your brothers. When it's on the line, you just want to give them - you know, you want to perform. You want to give them a shot to win the game.
I'd like [Santa Claus] to give Wes Anderson, the director, enough money in his next budget for an aerial shot - just a little copter shot. He really wanted this one helicopter shot, and Disney wouldn't give him the money. Just wouldn't give him the money. Every day, he was talking to the studio about this helicopter shot.
I can get a title shot any time I want to. They know I can beat 110% of the champions out there right now. I just have to be motivated. Most of them are going to be trying to not give me a shot.
I remember the early 1980s, when I first got one of these fabulous film critic jobs. The downside was sitting through 'Splatteria III: The Dismembering of the Clampett Clan' or 'The Oklahoma Meatgrinder Massacre' or some such. The headaches unleashed by watching attractive kids die week after week after week cannot be imagined.
Give people enough guidance to make the decisions you want them to make. Don't tell them what to do, but encourage them to do what is best.
When we think of a criminal, we imagine someone with criminal motives. And when we look at Eichmann, he doesn't actually have any criminal motives. Not what is usually understood by "criminal motives." He wanted to go along with the rest. He wanted to say "we," and going-along-with-the-rest and wanting-to-say-we like this were quite enough to make the greatest of all crimes possible. The Hitlers, after all, really aren't the ones who are typical in this kind of situation--they'd be powerless without the support of others.
I've been lucky enough that in the U.K., I've done shows that have aired once a week. I make a show there that runs seasonally, and we make one episode a week, and that is great - the value of time. You can really think and finesse what you want to do.
If an artist is going through a lot of bad publicity, I don't want to ask them about that. If they want to talk about it, I'll make them comfortable enough where they can bring that up on their own. Not only do I want them to feel comfortable, I want them to come back.
All those tough guys who want to scare the world into seeing them as men . . . who don't know how to be a man with a woman, only abrute or a boy, who fill up the divorce courts; all those corporate raiders and rain-forest burners and war starters who want more in hopes that will make them feel better; . . . are suffering from Father Hunger. They go through their puberty rituals day after day for a lifetime, waiting for a father to anoint them and say "Attaboy," to treat them as good enough to be considered a man.
Question the motives of those who make requests of you. Discover what they really want. You may not want to give it.
I'm pretty faithful to one fragrance, but I go through phases. It's more about times and moods than moments in the week. In my life, I don't really have a Saturday and Sunday - you might get days off in the middle of the week and work on the weekend. I wear Roberto Cavalli all the time now. Fragrance is an extension of yourself, you need to feel like it's part of you and you can wear it in any situation and it just represents you, any time of the day, any time of the week, any time of the month.
A few years ago, for my birthday, Sean Price Williams said, "I'll give you one free day of shooting." He shot Kati with an I and co-shot Fake It So Real. While we've always worked together, I didn't want him to do it for free, so he cashed in his birthday chip and came for this one day.
If we want to give poor people soap we must set out deliberately to give them luxuries. If we will not make them rich enough to be clean, then empathically we must do what we did with the saints. We must reverence them for being dirty.
When Fashion Week ends, I miss the shows and the shot of adrenaline that comes with them. Each day is a new show, a new fitting, and you make new friends. Every season you get to know the other girls a little better.
Those trying to drag me down through piracy, I want to tell them that I will somehow achieve what I want. I am focused enough to achieve what I want and give the audience what I can.
What goes through my head when I'm going to take a game-winning shot is ... I better make it. Don't be afraid of the moment.
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