A Quote by Jacob Collier

Really, I was brought up with music as a second language. My mother was extremely encouraging of the sensitivities of my brain. It was this sense of curiosity but never pressure.
I was brought up to be uncompromisingly bloody-minded by my mother. She equipped me, without knowing it, to be someone who is creative rather than an entertainer. Not many girls are brought up like that, to never rely on a man. To not be a housewife, not be a mother.
We grown-up people think that we appreciate music, but if we realized the sense that an infant has brought with it of appreciating sound and rhythm, we would never boast of knowing music. The infant is music itself.
I try to make music that's really real. I've always liked music that makes me feel something. I'm not a brain first, music second person.
What's the trick? There are three of them: A sense of real purpose, a sense of humor, and a sense of constant curiosity. Keep using those to the grave because learning really never ends.
Music is language itself. It should not have any barriers of caste, creed, language or anything. Music is one, only cultures are different. Music is the language of languages. It is the ultimate mother of languages.
I have never sat down and studied the Bible, never consciously echoed its language, and am, in reality, as ignorant of it as most brought-up Christians. All of the Bible that I use in my work is remembered from childhood and is the common property of all who were brought up in English-speaking communities.
I'm a strange mixture of my mother's curiosity; my father, who grew up the son of the manse in a Presbyterian family, who had a tremendous sense of duty and responsibility; and my mother's father, who was always in trouble with gambling debts.
It's important to me to work in my own language now and then. I love English, but you can never learn to master a foreign language if you're not brought up with it.
It's important to me to work in my own language now and then. I love English, but you can never learn to master a foreign language if you're not brought up with it
I was able to learn a new language - a new musical language is learning a new language, because it's so extremely different from Western classical music. African music is completely different.
I was brought up in a house with a lot of appreciation for music, all kinds of music, including jazz. But I never knew that it could really be a career. I didn't know any jazz singers. I never saw live jazz. I only heard these records.
I grew up in an extremely musical atmosphere. There was a lot of music and singing around. I never really thought about one not singing, as a person. I've always sung and made music, it was just self-understood.
The only thing that mattered to me with 'Xen' was setting things up against each other in an uncomfortable way. If there's a really soft piece of music, and then you're hit by a painful explosive sound, your brain does this funny somersault trying to make sense of why this happened. And at that very moment, your brain is malleable.
I was brought up west southwest coast of Scotland and my mother and father had a music shop, and so I was surrounded by pianos and drums and guitars, and music, of course.
I was brought up by an Episcopalian father and Presbyterian mother in nondenominational Army chapels all over the world and never really had much religious experience.
Well, I was very lucky. I was brought up west southwest coast of Scotland and my mother and father had a music shop, and so I was surrounded by pianos and drums and guitars, and music, of course.
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