A Quote by Jacob Epstein
To accuse me of making sensations is the easiest way of attacking me, and in reality leaves the question of sculpture untouched.
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First of all I think of puppets as sculpture. They are sculpture that moves. You could label it any way you want, but for me it always starts in my mind as a sculpture.
For me, making my intent clear to the batsman before he stamps his authority is important. Playing with his mind is a way of attacking rather than setting attacking fields.
When the media's attacking me, when the establishment Republicans are attacking me and the Democrats are attacking me, that means I'm the 'We the People' person, and I'm on the right course as far as I'm concerned.
I really don't have a theme when I start a sculpture. The rock guides me to the final sculpture. I think that is true for many creative sculpture artists.
If you step out and do what you feel is right... and you're not attacking a person, and you're attacking a process, and you're attacking the status quo... and if somebody wants to hold a grudge against me, that's on them. It's not on me, and I'm going to do what I think is right.
Where are my sensations? They have melted into... me, and what is this me, this self, but the sum of these evaporated sensations?
I think, as human beings, we all have a fundamental mode, a basic way of relating to the rest of reality, and for me, it's always instinctively been about sound making and trying to extract information, grammar, meaning from sound making. That's been my way of navigating reality that's very personal; a painter might say they make marks or look.
A dialogue is very important. It is a form of communication in which question and answer continue till a question is left without an answer. Thus the question is suspended between the two persons involved in this answer and question. It is like a bud with untouched blossoms . . . If the question is left totally untouched by thought, it then has its own answer because the questioner and answerer, as persons, have disappeared. This is a form of dialogue in which investigation reaches a certain point of intensity and depth, which then has a quality that thought can never reach.
Man is really not freeing many aspects. He is dependent on his social circumstances, but he is free in his thinking, and here is the point of origin of sculpture. For me the formation of the thought is already sculpture. The thought is sculpture.
Art need no longer be an account of past sensations. It can become the direct organization of more highly evolved sensations. It is a question of producing ourselves, not things that enslave us.
It's asking that never-ending question, 'Who am I?' which motivates me and takes me on a constant journey of self-discovery that teaches me so much. Will Everest make me more cautious? In reality, probably not.
An observation, strictly, is only a sensation. Nobody means that we should reject everything but sensations. But as soon as we go beyond sensations we are making inferences.
I have an easy way to explain the war. It's a Croatian defending his country and a Serb attacking a Croatian country. With anyone who has a problem with understanding what's going on, that is the easiest way to understand it.
There is a primacy of each individual object. And we'll see! That's the whole point of making sculpture, to present a question in a physical form to people.
The way Guardiola plays suits me. It enables me to get into space in attacking positions.
Reading is everything. Reading makes me feel like I've accomplished something, learned something, become a better person. Reading makes me smarter. Reading gives me something to talk about later on. Reading is the unbelievably healthy way my attention deficit disorder medicates itself. Reading is escape, and the opposite of escape; it's a way to make contact with reality after a day of making things up, and it's a way of making contact with someone else's imagination after a day that's all too real. Reading is grist. Reading is bliss.
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