A Quote by Jacob Epstein

The artist is the world's scapegoat. — © Jacob Epstein
The artist is the world's scapegoat.
This traditionally happens in Russia and in every other undemocratic country as well - the quest for a scapegoat won't be long, either. The easiest way to find a scapegoat is to ascribe that role to former governments.
Until someone is prepared to lay out the systemic problem, we will simply go through cycles of finding corruption, finding a scapegoat, eliminating the scapegoat, and relaxing until we find the next scandal.
Collective guilt is borne by what is conventionally called the scapegoat. Now the scapegoat for white society - which is based on myths of progress, civilization, liberalism, education, enlightenment, refinement - will be precisely the force that opposes the expansion and the triumph of these myths. This brutal opposing force is supplied by the Negro.
Every movement that seeks to enslave a country, every dictatorship or potential dictatorship, needs some minority group as a scapegoat which it can blame for the nation's troubles and use as a justification of its own demands for dictatorial powers. In Soviet Russia, the scapegoat was the bourgeoisie; in Nazi Germany, it was the Jewish people; in America, it is the businessmen.
Take sex away from people. Make it forbidden, evil. Limit it to ritualistic breeding. Force it to back up into suppressed sadism. Then hand the people a scapegoat to hate. Let them kill a scapegoat occasionally for cathartic release. The mechanism is ages old. Tyrants used it centuries before the word "psychology" was ever invented. It works, too.
There's no diploma in the world that declares you as an artist—it's not like becoming a doctor. You can declare yourself an artist and then figure out how to be an artist.
Many contemporary painters feel that their landscapes come from within and are brought to the surface and given form as a result of various stimuli. The artist's internal world is waiting to be evoked by whatever means the artist finds most productive, and... this world is just as important as the outer, visible world.
An artist never works under ideal conditions. If they existed, his work wouldn't exist, for the artist doesn't live in a vacuum. Some sort of pressure must exist. The artist exists because the world is not perfect. Art would be useless if the world were perfect, as man wouldn't look for harmony but would simply live in it.
Do you want to be an artist so that the whole world will look at you, or do you want to be an artist because you would like to use your ability to attract attention, to have the world see itself through you differently?
In most of the countries in the Muslim world today, most of them are autocratic regimes that are unpopular if not detested by their people. They need a scapegoat and for a long time the imperialist served that purpose.
My mother's an artist. My father was an artist and so I assumed that was normal growing up in art and the art world and spending our time around the world seeing art, experiencing things. It was great.
An artist is an artist because he is not happy with the world, so he creates his own existence.
Every artist makes herself born. You must bring the artist into the world yourself.
We're creators by permission, by grace as it were. No one creates alone, of and by himself. An artist is an instrument that registers something already existent, something which belongs to the whole world, and which, if he is an artist, he is compelled to give back to the world.
And the only forms of socialism in the world that were then getting results - malign ones, as it was - were the Fascist and Soviet republics. Fascism is a form of socialism - you rebuild the country, you find a scapegoat, and you go from there.
I have a master plan as an artist. I've always said I'm not going to be punching nobody's clock. I will work as an artist to survive in this world.
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