A Quote by Jacob Hashimoto
I like that there's very little mystery in how the artwork is actually made. It's the labor and the focus and the precision that drives it to the next level.
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The musical mystery is: How do you marry tuned percussion and voice? On a metaphorical level, everything that's really important - like the clouds, the sky and the earth - is a giant mystery.
Since it is to the advantage of the wage-payer to pay as little as possible, even well-paid labor will have no more than what is regarded in a particular society as the reasonable level of subsistence. The lower ranks of labor will commonly have less, and if public relief were afforded even up to the wage-level of the lowest ranks of labor, that relief would compete in the labor market; check or dry up the supply of wage-labor. It would tend to render the performance of work by the wage-earner redundant.
I don't really know how accepted I am. Nothing ever matters to me apart from the people with negative opinions. That's literally it. That always drives me on to the next thing. It's funny, you just focus on them and then the next movie. That's the only thing you're thinking about when it comes out.
Like speaks to like only; labor to labor, philosophy to philosophy, criticism to criticism, poetry to poetry. Literature speaks how much still to the past, how little to the future, how much to the East, how little to the West.
I was really into artwork in high school and my art teacher made it clear to me that it's not really a career. She insisted that if I wanted to make a living this way, I would have to find a career that might actually reward me for the artwork.
The real art is in the street, is making the artwork, and for that you have to involve people. The action is actually the artwork.
When I'm working on an idea I have a very high level of expectations. If we do a video it has to be high level. Artwork has to be really good.
What about precarious labor? It's actually not the most efficient form of labor at all. They were much more efficient when they had loyalty to their workers and people were allowed to be creative and contribute - you know that what precarious labor does is that it's the best weapon ever made to depoliticize labor. They're always putting the political in front of the economic.
One finds fortunes built on slave labor, indentured labor, prison labor, immigrant labor, female labor, child labor, and scab labor - backed by the lethal force of gun thugs and militia. 'Old money' is often little more than dirty money laundered by several generations of possession.
Life’s not a video game, Felix- there aren’t a certain number of points that send you to the next level. There isn’t actually any next level. The bad news is that everybody dies at the end. Game Over.
I was photographing the photographer Brassaï. He had very prominent eyes, like a frog's. As I focused my lens, he brought his hand up and pretended to focus his eye. It was a joke, but it added mystery to the picture. There's a sense of action in a very small world. Or with Allen Ginsberg there were people smoking cigarettes and in the smoke there's a sense of motion. It makes much out of very little.
Whenever I work on an album and the time comes to do all the artwork, the only thing I think of is the LP artwork. When we worked on the 'Electric Trim' artwork, we spent weeks and weeks making the LP artwork great, and then the CD artwork came together in a day or two. The LP is what's important to me.
The mystery in how little we know of other people is no greater than the mystery of how much, Laurel thought.
I shall be thirty-one next birthday. My youth is gone like a dream; and very little use have I ever made of it. What have I done these last thirty years? Precious little.
Artwork operates on two different levels: On one level there's artwork as a mode of expressivity, and then there's the other side, where the image is a construction that is meant to engage in a discursive field in order to preform a particular function.
Artwork operates on two different levels: On one level, there's artwork as a mode of expressivity, and then there's the other side, where the image is a construction that is meant to engage in a discursive field in order to perform a particular function.
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