A Quote by Jacob Lawrence
I would describe my work as expressionist. The expressionist point of view is stressing your own feelings about something.
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I was an abstract expressionist before I had seen any abstract expressionist paintings. I started when I was a kid and continued just doing abstract stuff all through high school.
I'm not an Abstraction Expressionist, but I think dedication to paintings comes from an early interest in that work.
I'm not an Expressionist. I love to look at de Kooning, but I've got this kind of secret life, and that is something that pleases me. I have to try and make something out of it.
What I have learned from the teachers with whom I have worked is that, just as there is no simple solution to the arms race, there is no simple answer to how to work with children in the classroom. It is a matter of being present as a whole person, with your own thoughts and feelings, and of accepting children as whole people, with their own thoughts and feelings. It's a matter of working very hard to find out what those thoughts and feelings are, as a starting point for developing a view of a world in which people are as much concerned about other people security as they are about their own
I was not an Abstract Expressionist. Nor was I an Irascible.
I don't think I'm a singer, I think I'm an expressionist. But it takes time to put it in people's minds that this guy is not singing, 'Baby, I want to have you.' This guy is actually thinking about what he's saying. This guy has something to say.
Fiction is an expressionist painting rather than a photograph.
Whatever you describe to another person is also a revelation of who you are and who you think you are. You can not describe anything without betraying your point of view, your aspirations, your fears, your hopes. Everything.
You have to have the time to feel sorry for yourself in order to be a good abstract expressionist.
I am a spiritual, God-fearing man just playing a ghetto expressionist.
I am interested in the non-dramatic moments in life. I`m not at all attracted to making films that are about drama. A few years back, I saw a biopic about a famous American abstract expressionist artist. And you know what? It really horrified me.
In the point of view of my personal feelings, I love the music as well as the cinema, but the future of a trumpet player - in the money point of view, but also any point of view - is very short on expectations. The life of a moviemaker can be glorious and wonderful. It can put your life in the best of possibilities. I decided to forget music. Not forget, because this is impossible, but to work in cinema, and just to be someone who loves music, and who tries to make music with his films.
How can you say one style is better than another? You ought to be able to be an Abstract Expressionist next week, or a Pop artist, or a realist, without feeling you've given up something.. I think that would be so great, to be able to change styles. And I think that's what's is going to happen, that's going to be the whole new scene.
I don't know if I'm an impressionist or an expressionist. You can call me an American first... I've been labeled doing neimanism, so that's what it is, I guess.
Yes, I did, I mean I painted er, in a kind of abstract expressionist way, because of course that was exciting.
How many of the people I know - sons and daughters - have intricate abstract expressionist paintings of their mothers, created out of their own emotions, attitudes, hands. And how many have only Polaroid pictures of their fathers.
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