A Quote by Jacob Weisberg
Being editor of 'Slate' is the best job I've ever had because of the freedom and support given to me by Don Graham and the Post Co. and because of the opportunity to work with colleagues I admire and adore.
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I really enjoy work to a purpose. Maybe that makes me kind of strange. In some ways - and this is going to sound awful - it could be that writing is the worst job that I've ever had. Because it's so much more important to me and there's so much more opportunity for failure and I have so many people depending on me. In some ways it's the most satisfying, the most gratifying, and the most rewarding job I've ever had. But I actually would say it's probably the worst job I've ever had too.
The first job I was offered was as an editorial assistant. I think it was the best thing for me, in terms of being a storyteller by nature, to have spent years being an editor because I learned so much from it.
The people have given me their support; they have given me their trust and confidence. My colleagues have suffered a lot in order to give me support. I do not look upon my life as a sacrifice at all.
The finest opportunity ever given to the world was thrown away because the passion of equality made vain the hope for freedom.
I don't like being in the service industry and having to deal with people yelling at me all the time. McDonald's was the hardest job I ever had - so I have a lot of respect for people who work in the fast food industry. Because it's a hard job.
I got to college and saw all of my friends going to these other schools and thought, 'You know, college is just a blank slate.' And I had an opportunity to go to different schools, but I chose Brown because it was unique and allowed you to be yourself as an individual and like I said, it's a blank slate.
If I am in fashion, it is really due to very few designers that I admire - not because I don't like the rest, or that the rest are not beautiful, but because I am very selective. I adore Versace. I adore Helmut Lang, despite the fact that it's over.
I've never seen anyone - and I've had the opportunity to work with some really terrific actors in my time - but Philip Seymour Hoffman is definitely the best I ever had the opportunity to work with.
My first job in the States was as a junior fashion editor at 'Harper's Bazaar,' which I enjoyed, but not for all that long because I was fired by the editor in chief, who told me that I was too 'European.'
At one campus where I was lecturing, I asked a friend, "How many of my colleagues know I'm gay?" He answered, "All of them." I wasn't surprised. But, just the same, it was kind of spooky, because not one of them had ever given me the faintest sign that he or she knew. If I had spoken about it myself, most of them would have felt it was in bad taste.
I've had two callers ask, 'Did you ever work for someone who is poorer than you are?' Their idea is it takes a rich person to give you a job because jobs are something that are given to you, an inferior, from on high.
Graham was my father's second name, so I took Graham because Lukas Graham sounded cool.
We have come to world leadership because our people have had the opportunity to develop this nation under a government and a Constitution that gave them political freedom and encouraged initiative, enterprise, responsibility, industry and thrift. Freedom and achievement are not unrelated. This nation has become one of history's finest illustrations of how a people can enrich life and raise their whole level of economic well-being when they are given justice, liberty and incentive.
Do I ever get tired of being the first female everything? Not really, I just happened to be in a position where the job that I wanted was not really there for me. I had to create an opportunity instead of waiting for an opportunity.
I like to have fun at work. It's okay if I don't. I've had that a few times. But generally, I'm someone who has a lot of fun at work, because I like my job. I think it's a fantastic job, at least that part of it is a fantastic job. And I like to have fun, and I personally feel that whether you're talking about the cast or the crew or the director or any combination thereof, that when people feel involved and comfortable and they feel like their work is being supported, that's the best environment to do good work.
London has this culture of the theatre that is so big, it was a like a dream - but I never had a thought to be able to play here because my English was not very good. So being given the opportunity to come work here was like a gift.
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