A Quote by Jacob Weisberg

The first conversation I ever had about the Internet was in 1993 with Robert Wright, who was then a colleague at the 'New Republic.' — © Jacob Weisberg
The first conversation I ever had about the Internet was in 1993 with Robert Wright, who was then a colleague at the 'New Republic.'
The first book I ever really read was Plato's 'Republic,' and then I had to go over that five times or something.
We are ever on the threshold of new journeys and new discoveries. Can you imagine the excitement of the Wright brothers on the morning of that first flight? The anticipation of Jonas Salk as he analyzed the data that demonstrated a way to prevent polio?
You know I grew up on the Batman movies, and they had some terrific actors in, but you know a lot of the other ones - it wasn't always the case that you had people the caliber of Jeff Bridges or Robert Downey, so to kind of show up and work with Jeremy Renner or Robert or with Mark Ruffalo, any of them, Chris Evans, Chris Hemsworth, the caliber of people you're acting with, to me, is really fun. From the first day I started doing scenes with Robert, it's been one of the funnest experiences I've ever had.
There are hundreds of Frank Lloyd Wright buildings around the United States and in other countries, too. Wright lived into his 90s, and one of his most famous buildings, the Guggenheim Museum in New York, was completed just before his death. Wright buildings look like Wright buildings - that is their paradox.
Don’t let yourself be. Find something new to try, something to change. Count how often it succeeds and how often it doesn’t. Write about it. Ask a patient or a colleague what they think about it. See if you can keep the conversation going.
The first person I came out to was God. And the first conversation I ever had with anybody was in prayer.
If there ever is to be a republic of every village in India, then I claim verity for my picture in which the last is equal to the first or, in other words, no one is to be the first and none the last.
Titian and Rembrandt, Monet and Rodin, Frank Lloyd Wright and Le Corbusier, Mark Twain and Henry James, Robert Frost and Elizabeth Bishop, to name a few. Twain wrote 'Tom Sawyer' at 41 and bettered it with 'Huckleberry Finn' at 50; Wright completed Fallingwater at 72 and worked on the Guggenheim Museum until his death at 91.
Haiti is unique - the first successful slave revolt in history, the first black republic etc., and then when you get into the culture, the voodoo, and that wonderful synchretization of Christian and African belief and symbology, it's like nothing the world has ever seen.
If I had to compare any of the two, I'd compare the first one in Edmonton, the first one here in New York because it had been so long in New York since we had won. Obviously, being the first time to ever win the cup in Edmonton, they were fairly similar in that regard.
I do a lot of audio-only interviews at first just to capture a feeling and go deeper, as if you're having the most quiet, intimate conversation you've ever had with someone you love. If I can get that tone of intimacy, then the film will have that.
Robert Pastorelli was about the coolest guy I had ever met in my life.
We usually break the story first. For instance, on The Monuments Men, and this one is more complicated because there's a lot of history, so before we started, we sat down with Robert Edsel, the author of the book, for about a week, and basically, he just gave us a lecture and went through everything. And then, I had a researcher, somebody who we had actually used on Argo.
FCC Commissioner Robert McDowell has said that several foreign dignitaries personally spoke to him about creating a new Internet user fee to subsidize an international universal service fund at the expense of traditional end users.
The Internet may fairly be regarded as a never-ending worldwide conversation. The government may not, through the C.D.A., interrupt that conversation. As the most participatory form of mass speech yet developed, the Internet deserves the highest protection from governmental intrusion.
In the early work of Frank Lloyd Wright - and you can also see it with Mies - they make new ground by raising the ground. Frank Lloyd Wright did it so beautifully with the Robie House. The roof becomes almost a new ground.
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