A Quote by Jacob Zuma

Our media, which is very open and report on really everything, tend to exaggerate the crime issue...This is why one gets the impression that we have much more crime than other countries.
On the other hand, if you suggest to a person who has been a victim of a serious crime that we take the issue too seriously, they'll look at you like you're crazy. So that's a really tough issue, whether we're doing more harm than good by paying so much attention to a few cases that honestly don't normally intersect with our lives.
Crime stories are our version of sitting round a camp fire and telling tales. We enjoy being scared under safe circumstances. That's why there's no tradition of crime writing in countries that have wars.
The best crime stories are always about the crime and its consequences - you know, 'Crime And Punishment' is the classic. Where you have the crime, and its consequences are the story, but considering the crime and the consequences makes you think about the society in which the crime takes place, if you see what I mean.
What crime writers are doing connects deeper into a cultural hunger. Crime is important. When you open up a book that has a body that's dead, that matters. It matters more than a certain level of suburban angst; it really does.
Countries and states which have capital punishment have a much higher rate of murder and crime than countries that do not, so that makes sense to me, and the moral question - I struggle with it morally.
Until we in the community have made up our minds that what we really want is expiation, or removal, or reform, or or the discouragement of potential criminals, we shall get none of these, but only a confusion in which crime breeds more crime.
The number of laws is constantly growing in all countries and, owing to this, what is called crime is very often not a crime at all, for it contains no element of violence or harm.
I'm not at all upset to be considered a crime novelist. But for me, it's never really about the crime or the violence. I'm much more interested in exploring issues.
The causes of crime are very complicated. But there is a very big literature, as you know, about single parenthood in crime, about race in crime, and about poverty in crime.
Once I got interested in organized crime, and, specifically, Jewish organized crime, I got very interested in it. I have learned that, like my narrator Hannah, I'm a crime writer in my own peculiar way. Crime with a capital "C" is the subject that I'm stuck with - even Sway is about "crime" in a certain way. The nice thing about crime is that it enables you to deal with some big questioO
The issue is to trying to figure out why we end up spending so much more than other countries.
My influence is probably more from American crime writers than any Europeans. And I hardly read any Scandinavian crime before I started writing myself. I wasn't a great crime reader to begin with.
That's why I love crime novels so much: When I write a crime novel, the conflict is built in.
We are not prepared to consider special category status for certain groups of people serving sentences for crime. Crime is crime is crime, it is not political
We have judicial system in Sudan. Anyone who committed a war crime, anti-human crime, or any other crime will be locked up.
Tonight, I propose a 21st Century Crime Bill to deploy the latest technologies and tactics to make our communities even safer. Our balanced budget will help put up to 50,000 more police on the street in the areas hardest hit by crime, and then to equip them with new tools from crime-mapping computers to digital mug shots. We must break the deadly cycle of drugs and crime.
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