A Quote by Jacoby Ellsbury

I'm proud to be a New York Yankee. — © Jacoby Ellsbury
I'm proud to be a New York Yankee.
Two things I really wanted to be: a stand-up comic or a New York Yankee - or a really funny New York Yankee.
During the 1920s New York Yankee owner Jacob Ruppert once described his perfect afternoon at Yankee Stadium. 'It's when the Yankees score eight runs in the first inning,' Ruppert said, 'and then slowly pull away.'
Your pitching coach is almost like your spouse. He's someone to go to when you want to gripe and complain. The big thing for me with Mel (Stottlemyre) is that we've been through so much together. He's been through everything I've been through on the mound. He was a Yankee who won twenty games in New York and a Yankee who didn't win twenty games in New York. For me, he's been there and that's what makes a good pitching coach. He's a good man, too.
Around New York, I used to hear that expression, 'Once a Dodger, always a Dodger.' But how about, 'Once a Yankee, always a Yankee?' There never was anything better than that. You never get over it.
I'm identified as a New York actor, I sound like I'm from New York, and I couldn't be more proud of it.
As far as my New York influence, one thing I'm proud of in my career is, I rep Brooklyn, New York all day. But people don't look at my music as New York music. People consider my music underground music.
I'm from New York and I love New York and I'm always repping New York, but what I represent is something deeper than just being a New York rapper.
When I became the manager of the New York Yankees, it was an opportunity to realize my lifelong dream of winning the World Series. We were fortunate enough to succeed in our first season in 1996, and in the years that followed, we wrote some great new chapters in Yankee history.
I've seen a lot of brands fail because they went, 'Hey, look, we're from New York, and that's what we're all about.' But wherever you go, people are proud of where they are. So even though we're from New York, what we do is a mindset: it's got to work in Japan, in Los Angeles, London, wherever.
I came to New York for school, and then I did this amazing show that was received very well, with a great group of people, and I felt like I was creating something that I was really proud of, and then 'Hamilton' was my next big thing in New York.
I kinda feel like if I can do what I like in New York - and I like New York, I was born in New York, I have a lot more of a connection to New York - the hope is to stay in New York.
We were going to do 'Reno 911!: New York, New York, Las Vegas,' which was like a 'Die Hard' set not in New York, but in the New York, New York casino in Las Vegas. We were really excited about being locked into the one casino and doing a bad action movie.
Madison Square Garden to any New York kid is the center of the universe. Even going there as a fan is like stepping up to the plate at Yankee Stadium. You know you're in the grand cathedral.
One of the things you see in New York is that offices keep their lights on at night. They're proud of their building. Great. But they must find another way to be proud without draining energy.
Many of the projects I'm most proud of are tall buildings, especially the housing projects. In New York I have two: one in Kips Bay and one at New York University. At that time, those projects were most challenging.
If you look at professional baseball in New York, you can get all 162 Yankee games on television anytime you want. But people still go to the ballpark because they are two different experiences. It's the same with film.
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