A Quote by Jacqueline Bisset

People make sequels a lot in Hollywood, and sometimes it feels like there's never an original thought. — © Jacqueline Bisset
People make sequels a lot in Hollywood, and sometimes it feels like there's never an original thought.
Like a lot of people, for a long time I thought that the road to hell is paved with bad sequels.
People talk a lot about Pixar going off the rails. A lot of people are saying they aren't happy that we are making sequels. But for every one of those people, there is one that is happy because they fell in love with the worlds we created. We hope we've proved that a sequel can be every bit as enjoyable as the original.
Hollywood's thinking is very typical. And it's just really predictable too. And I think at Hollywood, these box office movies are flopping. I mean, there hasn't been an original thought coming out of Hollywood since the '80s.
Believe me, sequels are just as hard to make as original films.
Most people know me at Pixar as the guy that doesn't like to do sequels or very reluctant to do sequels.
I never thought in terms of a "breakthrough" film. I wasn't looking for fame or a career path into Hollywood. I was doing it for myself. I just wanted to make a film that I really loved. If other people liked it, great. But you can never guess what other people are going to like.
She believes in love and romance. She believes her life is one day going to be transformed into something wonderful and exciting. She has hopes and fears and worries, just like anyone. Sometimes she feels frightened. Sometimes she feels unloved. Sometimes she feels she will never gain approval from those people who are most important to her. But she’s brave and good-hearted and faces her life head-on.
The only reason I would write a sequel is if I were struck by an idea that I felt to be equal to the original. Too many sequels diminish the original.
Characters in Hollywood movies encounter a lot of car chases. Characters in novels rarely wash their hands or do their laundry. And in the work of moral psychologists, people deliberate and reflect a lot. They deliberate, one sometimes feels, whenever they perform an action, and certainly whenever they act for good reasons.
There are days when either filmmaking feels like an insurmountable practice - here's a lot of obstacles in the way to make it happen - or you think, "What does this all add up to?" You don't know what to do with the footage, and you've asked a lot of people for their time and a lot of people to be patient with you. And then you lose faith that you can actually make a worthwhile story out of this.
In Hollywood, a lot of acting feels like grandstanding.
There's a marvelous sense of mastery that comes with writing a sentence that sounds exactly as you want it to. It's like trying to write a song, making tiny tweaks, reading it out loud, shifting things to make it sound a certain way... Sometimes it feels like digging out of a hole, but sometimes it feels like flying. When it's working and the rhythm's there, it does feel like magic to me.
The thing I do miss about the way some sequels were in the past was that each film felt like its own unique, complete tone. Now, sequels are tonal facsimiles of the ones before them, like a television series, whereas back in the past sequels would often be radically different from the ones before.
The whole idea of doing the Hollywood thing never even occurred to me. When you grow up on the East coast, Hollywood seems like this fantasy land and you don't think that people can actually make a living there.
Large like the Beatles, ask all my peoples, never make movies, so don't talk sequels.
I don't like a lot of attention. That's kind of who I am at heart. So I see everything, the people circulating around me and a lot of people know me - it kind of feels like a heavy weight sometimes.
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