A Quote by Jacqueline Bisset

I can't believe I've been doing it so long. In the last three or four years, I've slowed down. I'm doing only the roles I really want to do. — © Jacqueline Bisset
I can't believe I've been doing it so long. In the last three or four years, I've slowed down. I'm doing only the roles I really want to do.
When they first start doing comedy, new comics or even people that have only been doing it three or four years, they're doing an impersonation of a stand-up. This is what I think a stand-up should sound like.
I firmly believe, only because I've been doing this for so long, every show takes three years. 90% of them don't get three years. It just does. It takes a long time to build a community, build a friendship with your characters. It's hard for people to grasp on and make them care about you.
My tenure has been abnormally long for the average Disney kid - most only last three or four years.
Actually, to be honest, this is a useful time to not be knowing what I'll be doing in 2013 or 2014, because really, for the last however many years, I've known what I've been doing for years and years ahead. You get into a cycle of non-reflection, and that gets a bit scary.
I got fascinated with all of this work in terms of spirituality, philosophy, behavioral science when I was around 18 years old. I've been doing this for 14 years, and I've been doing it online for three years.
It's so easy to get into the same routine. A novel every two years; perhaps, improving technique. But I'm not interested in that. I'm interested in doing something fundamentally important--and therefore, it needs time. And what I've been doing, really, is avoiding this pressure to get into the habit of one novel a year. This is what is expected of novelists. And I have never been really too much concerned with doing what is expected of novelists, or writers, or artists. I want to do what I believe is important.
The first 10 years, I was just building just to understand what I was doing and I didn't trust my intuition to just produce. Then, in the last five years, I have really been reflecting on what I am producing and what it is doing.
Monday is going to be a very difficult day, I believe, because after all these emotions, you realise that probably you hang up your boots and stop doing something I have been doing for the last 17 or 18 years in a professional way.
As a man - no longer a teenager that can play those really young roles, but as a man - I think I've only just got good in the last three or four years. I only watch my old films because, as someone who wasn't trained, that's how I look at my mistakes; I see something and I go, "Well, that's not good," and I learn from my mistakes. Same with the writing and same with the directing.
One thing I'd like to just keep on doing is I want to educate people about animal behavior and about autism. I've been doing autism talks for the last 20 years and there still are people out there that do not want to, they can't recognize that these sensory problems are real. That, for some of these kids when that fire alarm goes off, that really hurts the ears, it's a really real thing.
What I normally do as an actor in playing different roles, I just have to do in a span of three seconds sometimes, so I think I'm lucky that I've been doing it so long that I can do it rather quickly.
I've been fighting professionally since I was 18, and I've been doing three or four fights a year, just doing camp after camp.
For the last 30-plus years, I have been doing one long, uninterrupted improv.
Don’t let the learning from your own experiences take too long. If you have been doing it wrong for the last ten years, I would suggest that’s long enough!
Writing fiction is an act of imagination and fantasizing, and it's not relating in prose what you've been doing for the last two or three years.
That's the other thing that you find most often with women. They're not really concerned about what's happened over the last four years. They really want to know what's going to happen in the next four years.
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